Enraptured The most obvious thing to say about Autopia in the first instance is that Eat Lights, Become Lights are unafraid of putting their influences to the fore, wearing them proudly as signposts to a whole series of strands of underground music across the decades, and as with their live shows, their début album takes the hints and explicit quotations and rebuilds them as a thoroughly enveloping gestalt […]
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Mantile The packaging aesthetic of London-via-Nottingham based Johnny Scarr’s Mantile label suits Spoils & Relics to a tee; recycled card with grainy, degraded and indeterminate images of dubious provenance; hand-stamped titles evoking a production-line gone askew; and each release on cassette, that medium so beloved of bloody-minded advocates of the warmth, tactile enjoyment and inconvenience of the near obsolete format. And you can’t get much more tactile than […]
LF Four new-ish releases here from Bristol’s micro-label LF, run by one Mr Dsic (not his real name), documenting aspects of noise and noise-ish music. A mixed bag, but that’s no bad thing – my weekly shop includes all sorts of things, from washing powder to aubergines (exotic, I know), and I don’t see why a record label should be any different. Unlike my weekly shop, however, the […]
Hey kids, welcome to another exciting edition of “Fuck Yeah Science”, with me, your host, Dr Deuteronemu 90210, here to show you that not only is science a thing, it's also a FUN thing! Now, if you'd like to start your educational CD (or whatever you youngsters are listening to music on these days), Angels Of Darkness, Demons Of Light, you can listen along to it as an accompaniment to the lesson.
Everyone playing the album? Great. Then let's begin.
First, let's take a look at PHYSICS. Physics is a particularly awesome science, dealing, as it does, with many things, the most relevant to today's lesson being the parts about how much stuff weighs, and how it moves.
Riot Season Serious noise rock from Belgium, the third album from Ultraphallus and their UK début on Riot Season. Where do I start? With a name like Ultraphallus am I serious? And what a name it is! Its the mother of all names to trip up spam filters. Sowberry Hagan was recorded over four days in a farm in Liege, but you wouldn’t guess at such folkish origins. […]
ReR Steve Maclean’s oeuvre touches a fair few nodes on the circuitboard of ‘experimental’ music – from collaborations with insects, multiple-effected guitars to ensemble compositions and ‘academic’ work, in line with his post at Assistant Professor in Music Synthesis at Berklee College of Music. The first of our two records here, Expressions on Piano, is closer to his day-job in the academic world – a series of rhythmically […]
The Remote Viewers What a difference a well deployed field recording can make. The Remote Viewers’ ninth album, To the North begins with what sounds like footsteps on gravel, an approach made on private land, a trespassing, intrusion or return home. It’s sufficient to throw the ensuing material off-kilter; what could be otherwise described as a comfortable and comforting tour through a variety of approaches to jazz derivatives […]
Robot Elephant/Homeopathic Collecting Acid Mothers Temple releases can leave you very light in the wallet area (I know this from experience) due to the volume of their output . So there is quite a minefield of material out there to negotiate, some amazing, some a little like the band treading water. As I know AMT well it was going to be interesting to hear what Stearica, a band […]
Static Caravan In 1977 I got hold of a copy of Jean Michel Jarre’s Oxygene – and if you would like to get the 21st century version of this album you could a lot worse than buy the new Steve Moore album… Well, there’s one thing you have to say about Zombi man Steve Moore, he must have a very healthy bank account judging by the amount of […]
Bureau B Ok, as most of the people reading this will know Faust were one of the most important bands of the 1970s Krautrock movement and have an incredible important body of work behind them. Also at this moment in time there appears to be two Fausts, so this is Jean Hervé Péron and Zappi W Diermaier’s Faust aided and abetted by Gallon Drunk‘s James Johnston and Bender’s […]
MiG/Captain Trip After spending the last few years playing live with Dead Can Dance’s Lisa Gerrard, Klaus Schulze thought it was time to get back to playing some ‘pure’ Schulze live and this is exactly what this double disc delivers. Schulze had not played in Japan since 2003 and these shows were set up by a fan of the man. It seems as if Klaus took this on […]
The Lexington, London 19 January 2011
It's a red-light night tonight at The Lexington, north London's finest whiskey bar and excellent venue to boot. Red décor and red lights make for a surreally-flattened visual experience, as if watching tonight's bands during one of the more blood-soaked sections of Suspiria. But there's no gothic horror show from Eat Lights, Become Lights - their take on psychedelic immersion is far more in the Düsseldorf tradition, as befits what is effectively Klub Motorik's house band.
Polyvinyl/ATP The release of Deerhoof vs Evil means that San Francisco-based Deerhoof have been putting out their genre-hopping ditty-bopping noisy beautiful schizophrenic pop for about 16 years now – for the record, that’s 60% longer than the Beatles were around. Deerhoof haven’t sold nearly as many records as the Beatles though. Even in France, where the Beatles have apparently sold less records than astigmatic Greek charity-shop stalwart Nana […]
Triple Bath The title Soundscape Study is immediately misleading – while ostensibly sourced from the sonic ambience of dreary and audibly sodden holidays (in Scotland’s Isle of Barra and France’s Fitou respectively), this disc lacks the arid mic-fetishising of a great many soundscape pieces. Daniel Hignell has come to this work with a peculiar ear for the ambient sounds of thunderstorms and tidal crashes, holistically stitching and interlacing […]
Dekorder The latest offering from Campbell Kneale (late of the recently-disbanded ambient/drone outfit Birchville Cat Motel and also responsible for the immensely heavy [post=”black-boned-angel-verdun-2″ text=”Black Boned Angel”] doom project) finds him tackling the wonky end of electronics (de)composition in what comes over as part demonic exercise in digital bricolage, part attempt to submerge the listener in so many sounds that . Dissonance in expansion is the order of […]
Topplers Topplers Records are an old-style independent label based in Scotland who specialise in limited runs of beautifully presented eccentric pop gems. Depending on your point of view (or age), it’s a sign of either the label’s willful obscurity or unquestionable genius that a high proportion of these releases are by ex-members or associates of Swell Maps. To someone whose formative years were soundtracked by the likes of […]
ROIR
Like many of the best things in life, the Legendary Pink Dots are a mystery. At least, it's a mystery how come they're still so criminally obscure, when not only have they been releasing awesome music for a good thirty years now, they also have tunes and a fanbase who tend to verge on the obsessively evangelical side of things. They straddle genres like a post-modernist doing the MC Hammer dance over an ADD sufferer's iPod, with everything from industrial to pop, from jazz to space rock, from folk to dub being dragged into Edward Ka-Spel and co's music factory, later to emerge from the crystal chimneys as beautifully majestic music.
Staubgold As the slipstream of punk washed its way through the record industry in the late 70s and early 80s it seemed to many of us that commercial music might be changed forever to become permanently open to imaginative, offbeat constructions and general weirdness. That was, of course, the kind of naïve illusion that makes youth bearable. What really happened was that the genuine musical revolution happening at […]