Label: Touch Format: CD Richard H. Kirk is one of those electronic music producers who seems content to have found his groove, and stuck with it to good result for years, refining, developing, tweaking his sound palette into variations on themes he long ago helped pioneer in the justifiably lauded […]
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Label: Bubblecore (North America)/Payola (Europe/Afterhours (Japan) Format: CD A high-pitched crackle like the malfunction angel coming to take your stereo away. Dulcet bass repetition and skittering percussion make a strange and uneasy juxtapose of quite lovely and what’s-that-noise? A warbling, wobbling sense of trying to move around in the world. […]
Stop The Panic The Spitz, London 28th February 2000 O! if all nights out could be so entertaining! A New Orleans style jam session set up between avuncular B.J. Cole (occasional collaborator with Spiritualized) and chin-pierced Electro Bohemian Luke Vibert (sometimes Wagon Christ and Plug) and a couple of friends […]
Label: Soleilmoon Format: CD Built on a circling foundation of interlocking sampled sequences which shift the initial loop into self-generated patterns of intrinsically chaotic nature, Omphalos! (the navel) has much to recommend it for its hazy, slowly drifting ebb and flow of sound mixing itself into hypnotic strands. With the […]
Komedia, Brighton 22nd February 2000 First round on a rare night of electronic experimentalism in Brighton, held in the converted supermarket cabaret venue Komedia and hosted by Semiconductor was Lucky Kitchen, an electronic duo between Alejandra Salinas and Aaron Bergman (AKA Alejandra and Underwood as the handy little placards placed […]
@ RoTa Notting Hill Arts Club, London 21st February 2000 There’s a great sense of expectancy generated by Chicks On Speed tonight; buzzing chatter from the West London cool squad building up a tension upon a foundation of eclectic Electro DJing. When the Chicks come on stage in decorated paper […]
Label: Touch Format: CD More than just Pan(a)Sonic without the bass oscillations, Mika Vainio‘s second solo outing still bears obvious connections to his work with Ilpo Vaisanen on their last album release under that name as A , a recording which featured moments of unsettling stillness and texture among the […]
The Garage, London 31st January 2000 It’s been seven years since Matt Johnson released Dusk, the last The The album; and barring the frankly bizarre collection of Hank Williams covers, plus a series of dubious rumours, nobody has heard from him since. Until now. Joining Trent Reznor‘s Nothing label (after […]
Label: Attack Attack Format: CD “I didn’t know they were still going” says anyone I tell, all breathless and excited, about the fact that New Model Army have a new album out, their second in as many years, and then they usually laugh laugh at me a bit. So I tell them to fuck off.
The Underworld, London 28th January 2000 Dead Voices On Air are conducting a bit of an experiment on the London leg of their tour, starting off loud, noisy and danceable and trailing down into ambient passages of extended mood workouts. Mark Spybey and Darren Phillips man the keyboards, sequencers, samplers, […]
Label: Flesh Format: LP This record is to House music what Digital Hardcore is to breakbeat Hardcore. Flesh Records describe themselves as taking “great delight in unveiling the stenched schematics of a long imprisoned beast.” And this is just what they have done. This is dirty and nasty music that […]
Label: Digital Hardcore Format: CD Recorded at the end of an exhausting world tour in November 1999, with Hanin Elias out of action and Carl Crack gone loopy, as the sleevenotes describe Alec Empire and Nic Endo “were finally standing in front of a sold-out crowd of 4,000 people, Nic […]
Along the Dotted Line… 12th December 1999 The Legendary Pink Dots are a phenomenon, producing a seemingly endless stream of deeply intense records and genuinely spellbinding live shows for nearly twenty years, initially as a London-based group and for more than a decade now from their Nijmegen base in The […]
Label: Beggars Banquet Format: 12″,CDS Initially, this is really quite disappointingly normal, especially when compared to the stunningly evocative combination of HipHop rhythms with Isolationist textures which made up the remarkable Beat album a few years back. By contrast “Freedom Fighter” goes for the laid-back, casual-smoking vocal style and ironic personality analysis song-structure of indie […]
The Garage, London 28 November 1999 If a band sounds the same live as they do recorded, it can be a bit disappointing. Too clean, too rehearsed. Seeing Salaryman live at The Garage could easily have been like that, only it never strayed into those well-trodden pedestrian precincts. The only non-perfect […]
Label: Smells Like Records Format: 2CD The century may still have about a year left to run through, but Sonic Youth have decided to take time to consider and pay tribute to their ancestral experimental roots on this double CD of less-than rock music. Built in earnestly engaged (but obviously […]
The Borderline, London 9th November 1999 A night at The Borderline, a night for Americanism. We arrived too late to hear the first set, a band called Kenny Process Team, so no insights there apart from the appropriate(d) soundtrack feeling their last couple of songs gave me as I took […]
The Underworld, London 5th November 1999 Back at The Underworld for the second time in six months, follwowing on from an absence from their founders’ homeland of six years, The Legendary Pink Dots bring home their unique format of intense live musical performance at the tail end of yet another […]
The Water Rats, London 2nd November 1999 The Water Rats seems like a broken place, barely still pulsing with the life of the twenty or so people inside. I wonder if it was once posh, evidence: rubbed-off velvet on the too few bar stools, forgotten glass cases built into dingy […]
Label: Sub Rosa/Quatermass Format: CD, Limited LP Simon Pyke, AKA Freeform, has shown himself to be one of those producers of electronic music who fails singularly to conform to rigid genres and substylings thereof. He simply seems content to produce music within the formats open to someone with a bank of samplers, keyboards, mixers […]