Front & Follow Mark Kluzek‘s project The Doomed Bird of Providence began in London in 2009 with the aim of telling the stories of early colonial Australia. This latest offering, You Brought the Knife, is a haunting five-track EP that recounts the tale of Maria Murray (née Middleton) — a runaway slave, convicted murderer and transportee, largely forgotten by all but a handful of academics.
Hôpital Caroline, Marseille 5 July 2015 Festival MIMI has been bringing all kinds of innovative, avant, experimental or just plain far-out music to Marseille for thirty editions to date, and for the last fifteen years its annual home has been in the splendid isolation of the ruins of the Hôpital Caroline on Ratonneau, largest island of the Frioul Archipelago, just off the coast and in sight of both […]
London 4 July 2015 And did those feet, in ancient times, walk upon England’s mountain green? And was the holy Lamb of God on England’s pleasant pastures seen? Whilst my marginally less ancient feet are walking up Olympic Way once more (a mere ten after having last done so), the one man who might be able to answer those questions is doing a decidedly poor show of proving […]
United Dirter Seriously plunderphonic, this baby plays Surrealist ping-pong with ’50s advertising, sped-up exotica, Brat Pack crooners and virtually anything else that fevered mind of Steven Stapleton could chuck in there (it’s little wonder this was three years in the making). I can imagine Stapleton dressed in his crow-black finery rooting through the charity bins, this perverted twinkle in his eye as his mischievous mind affixes to new […]
The recently unearthed double LP of Ben Zimmerman’s experiments with Tandy DeskMate music in the 1990s was a revelation; here, Software presents Ramez Silyan‘s short but informative documentary on The Baltika Years: https://youtu.be/Xb628y2NLac
MVD Gabriel Carrer‘s In The House Of Flies is an ’80s movie, made in the second decade of the twenty-first century designed around a trope from the first which became a cliché and eventually a sub-genre all of its own, though it does a bloody good job of avoiding cliché and in the process returns the trope to its ingenious origins. Remember Saw? The first one, I mean. […]
The Barbican, London 27 June 2015 88 cymbal beaters, five drummers, four bassists, four guitarists and one EYƎ, an ensemble that literally dwarfed the stage bathed in super-real colours. Right from the start this felt more like a ritual than a show — an invocation even. From its early referential whisperings it held you in its meditative grip, then flung your expectations wide open on colossal tidal pulls, […]
London 24 June 2015 I’m shuffling through the Wembley sand, but my head’s in Mississippi. It’s been a long time since I was last at Wembley Arena. Twenty-two years ago this month, in fact, lured like a Hamelin rat by the strange and, ultimately, ill-fated second coming of The Velvet Underground (Reed and Cale needing to spend more time together in order to remember exactly why it was […]
Sulatron Kick out the jams and get your freak flag flying with two new releases from Sulatron. Zone Six are a mindbending mixture of members of Electric Moon, Modulfix and The Pancakes (who also get together under the name Krautzone) playing spiralling hypnotic psychedelic madness in free-form jams that have been condensed down to these four blistering tracks. Komet Lulu’s bass kicks us into the title track, its […]
4AD Nobody ever sounded like the Cocteau Twins, a band so startlingly original that they spurred a lot of imitators; they took the jangle of indie to a whole different level, an otherworldly soak that no doubt inspiring the shoegrazery verve that would follow in their wake. By 1985 they already had three albums under their belts, but their sound was still evolving to ever-more luscious territories, concocting […]
Rocket Sprawling its way across three sides of vinyl and two CDs, Infinity Machines is Gnod at their most epic. There’s a lot of it and can feel initially daunting to step into it as you realise the weight of expectation, and the fact that your brain has to disseminate so much music, creep up on you. So I’m going try my best at reviewing such a large […]
RVNG Intl. The slow evolutions of Robert Aiki Aubrey Lowe (AKA Lichens) and Ariel Kalma are curling my head to perfection, all long sustains and modular gurgles mingling gently with the environmental ambience of aviary tweets, bubbling brooks the call of the wild. The saxophonics climbing through most tracks like a waking body stretching in span-like evocations, coupled with the blissful smoothness of simple melodies that would make […]
London 16 June 2015 There is a German proverb which reads, “Jede Leiter fängt mit der untersten Sprosse an und nach der obersten kommt nur noch freier Fall.” We might possibly translate this as, ‘Every ladder begins at the lowest rung, but after the highest the only way is down’. Tonight, the capacity audience packed into a summer-heated Cafe Oto are treated to evidence that miraculously both confirms, […]
Haunter Source of Uncertainty is one of those records which pushes the boundaries of expectation quite a bit further than a cursory glance at the list of influences might suggest. So maybe there is techno, electro, Detroit and Berlin-style electronic music in here, and certainly a sense of experiment that is worthy of the term; but Giovanni Napoli’s second Haunter Records release as SOMEC follows on the heels […]
London 10 June 2015 It is good to remember why you came. How the reverberation of the bass through every cell is like the lift of a wave that carries you. How each staccato re-teaches your heart to beat. Percussion is life, rhythm is the first language and with it we make sense. Every sentence you’ve ever read and truly felt has had its own cadence to keep […]
The Jazz Café, London 30 May 2015 A couple of years ago I had the very great pleasure of interviewing New Model Army‘s angry yet affable front man Justin Sullivan for this esteemed organ (matron!), and we got to talking about venue sizes. “All of us”, said he, “when we go to see our favourite bands, we want to see them in the old Marquee, or in some […]
Bristol 6 June 2015 Henry Collins’ — formerly known as Shitmat — Morris Meets the Bikers (after the ZX Spectrum arcade game?) were up first. They were having so much fun that they were oblivious to the fact that only five people were actually watching, which was a shame for they were really bonkers. Billed as a DJ set, this was more a performance than just spinning tunes. […]
Cardinal Fuzz (Europe)/Captcha (North America) White Manna’s previous album Come Down Safari was an almost lilting psychedelic trip to the outer reaches, like a 1968 Nepalese bhang shop of lysergic loveliness that wasn’t a million miles a way from bands like Lamp Of The Universe in its recreation of bedroom Ganges travelling. What White Manna have delivered with Pan, though, is a totally different beast. If Come Down […]