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Back home
Where once there was music, now let there be noise
  • Search
  • About Freq
  • news
  • reviews
    • live reviews
    • books
    • DVD, bluray & video
    • Films
    • review features
    • Index
    • Archived reviews 1998-2008
  • features
    • Freq Presents: Overground – an N16 music radio show
  • interviews
  • Contact Freq
  • Copyright
  • Contributors
  • Dedication

L-13 Recordings A split 10″ EP (and/or mini-album, perhaps – but anyway, its hand-stamped sleeve covers up a hefty chunk of vinyl, and the Gestetner-printed notes add an extra frisson of retro-cool to the packaging) from two of the ever-prolific Pete Bennett‘s bands is one of those things which only comes along once in a while. Sure, there are downloads (offered to buyers of this disc too, as […]

reviews

Monkey Island/The Dublo – Defunctus Est/Baby Don’t Blues EP

  • 10" EP
  • Album review
  • Monkey Island
  • Richard Fontenoy
  • The Dublo
Published 15/03/2012

Thrill Jockey Well, you knew this was coming. Dorwytch hinted (OK, explained) that Alexander Tucker was moving closer and closer towards a kind of English pastoralism and now he’s got to Third Mouth, where the drones and buzzes move still further away from the longer forms of his early albums and head towards smaller, yet exquisitely designed, packages of psychedelic folk. This is like someone’s swallowed Rob Young’s […]

reviews

Alexander Tucker – Third Mouth

  • Album review
  • Alexander Tucker
  • Loki
Published 13/03/2012

Public Information A little sliver of electronic gargling from the man of the moment, Ekoplekz. If you want to know which moment, you’ll perhaps have to remember that Dromilly Vale is Nick’s imaginary recording studio, a hybrid of King Tubby’s on Dromilly Ave, Kingston and the Radiophonic Workshop’s Maida Vale studio in London. This is 1973 re-imagined uchronically; maybe Dick Mills and Lee Perry did hang out, swapping […]

reviews

Ekoplekz – Dromilly Vale EP

  • 12" EP
  • Ekoplekz
  • Loki
Published 13/03/2012

Fire Right yeah, so – Pulp. WHAT I REMEMBER of the time of Different Class is that there was a bit of a sense of them being very much a “ooh, follow your dreams, keep plugging away and eventually you’ll make it” thing, in terms of what the press were saying. Which was nice of them. As if to say ‘even if your entire output is utterly shite, […]

reviews

Pulp – IT/Freaks/Separations

  • Album review
  • Kev Nickells
  • Pulp
Published 12/03/2012

Leather Apron MELVYN BRAGG – Good morning. Today on In Our Time we’re going to be looking at the Steampunk era, a time which often seems to be shrouded in a fog- or possibly even a smog, ha ha, of mystery. With me today is Dr Deuteronemu 90210, emeritus professor of Musical Archaeology at the Institute of Awesome. Dr 90210, it wasn’t all that long ago. Why is […]

reviews

The Men That Will Not Be Blamed For Nothing – …

  • Album review
  • Deuteronemu 90210
  • The Men That Will Not Be Blamed For Nothing
Published 03/03/2012

Important “You never seemed to be waiting for me, but we kept meeting at every turn of the paths, behind every bush, at the foot of each statue, near every pond. It is as if it had been only you and I in all that garden.” A man and a woman meet at a social gathering in a magnificent baroque chateau. He claims that they met the year […]

reviews

Mi and L’au – If Beauty is a Crime

  • Album review
  • David Solomons
  • Mi and L'au
Published 03/03/2012

The Null Corporation/Mute Reznor and Ross may have seemed a weird choice to score The Social Network, essentially a movie about courtrooms and codings; almost as weird a choice as Fincher was to direct it. But that worked out OK, didn’t it? So it’s no surprise that when reunited with Fincher, but this time on a movie about sex, violence and serial killing, the result is one of […]

reviews

Trent Reznor & Atticus Ross – The Girl With The …

  • Album review
  • Atticus Ross
  • Deuteronemu 90210
  • Trent Reznor
Published 03/03/2012
Peter Brötzmann (live at Café Oto)

Café Oto, London 19 February 2012 71 years old, and with the gravitas of a Prussian general contemplating one final glorious attack on Paris, free jazz saxophone legend Peter Brötzmann swings into Old London Town for a two night stand at Dalston’s Café Oto, E8’s achingly hip home of improvisation, experimentation and general squealing and freeping of every sort. Only a short hop, skip and jump from The […]

live reviews

Peter Brötzmann (live at Café Oto)

  • Café OTO
  • live review
  • Peter Brötzmann
Published 23/02/2012

RVNG Int’l This seems both unlikely and likely. The kind of thing you look at initially and sort of ‘Huh?’ but then creeps up at you as you stop thinking about it and suddenly seems like an obvious decision (cf. the Julianna Barwick, Ikue Mori release). Sun Araw can (almost) do no wrong in these parts but previously in collaborations I’ve always felt that the message is over-diluted. […]

reviews

Sun Araw and M. Geddes Gengras meets The Congos – …

  • Album review
  • Loki
  • M. Geddes Gengras
  • Sun Araw
  • The Congos
Published 23/02/2012

19F3 This came in, slipped under the door like a thin slice of cranial pie… A friend of mine was prone to petit mal seizures, seizures of absence, slow-wave spikes. They’d often occur in the middle of a sentence; she’d just… go away for a few moments, sometimes long minutes, sometimes the last word she was saying would simply repeat and slurrrrrrr ad infinitum: “The thing with Feynman […]

reviews

Ship Canal – Please Let Me Back Into Your House

  • Album review
  • Loki
  • Ship Canal
Published 16/02/2012

Riot Season With its pun title based on the Syd Barrett Pink Floyd album, the new Acid Mothers album seems to be one of their most scorching psychedelic yet, but in a very traditional way. The opening track “Chinese Flying Saucer” has Led Zepplin’s “A Whole Lotta Love” stamped all over it, from the opening riff to the faux Robert Plant vocals to the bizarre middle instrumental lead […]

reviews

Acid Mothers Temple & The Melting Paraiso U.F.O. – The …

  • Acid Mothers Temple
  • Album review
  • Gary Parsons
Published 09/02/2012

Room40 “Oansome” is a word coined by Russell Hoban, American author of the triumphantly bleak post-apocalyptic novel Riddley Walker, set in Kent after a nuclear war has ravaged the land and left the survivors scrabbling to survive and speaking in a language as changed by the Bomb as the landscape and people have been. Indicating a sense of despondent solitude, of being left abandoned and profoundly alone in […]

reviews

Pimmon – The Oansome Orbit

  • Album review
  • Linus Tossio
  • Pimmon
Published 02/02/2012

Kranky Well, I don’t hear a “lost krautrock classic,” though that phrase seems to be cycling through the blogs and reviews like a Manuel Göttsching guitar loop (and not just for this album; it’s appearing more and more in all kinds of guises – pretty sure it’s leaked malevolently into some of my reviews, so clearly I’m not immune; it’s a nasty little word virus) but neither is […]

reviews

Keith Fullerton Whitman – Antithesis

  • Album review
  • Keith Fullerton Whitman
  • Loki
Published 02/02/2012

The Borderline, London 13 January 2012 “Rocket summer. People leaned from their dripping porches and watched the reddening sky.” Like the spaceship in Ray Bradbury’s book about to blast its cargo to Mars, Space Ritual have a constant feel of the summer, their music warming even the coldest of winters evenings. The sense of free festivals and long warm days hangs in the air and a mystical pan […]

live reviews

Space Ritual (live at The Borderline)

2 Comments
  • Gary Parsons
  • live reviews
  • Space Ritual
  • The Borderline
Published 29/01/2012

Crammed Discs This could have been. The idea behind Belgotronics is zeitgeist-tappingly brilliant; , those alien sounding timbres and treads, that otherness. Everything seems in place; the name – Hoquets references “hockets” (the technique used in Western medieval music, Africa, Bali and elsewhere of sharing a melody line between several voices or instruments) and “hoquets” (pronounced “OK”, and the French word for “hiccoughs”) – even the music itself, […]

reviews

Hoquets – Belgotronics

  • Album review
  • Hoquets
  • Loki
Published 23/01/2012

Southern Lord/Ideologic Organ (Editions Mego) Not long ago, in the relatively balmy days of early December, I found myself, as is my usual daily routine, strolling through the local cemetery, Abney Park, all overgrown and witch-haunted, broken angels and grasping stone hands. And that’s on a normal day. But this particular afternoon the region was visited by the harbinger of truly apocalyptic weather. About an hour earlier than […]

reviews

SunnO)))(+Nurse With Wound) – øøVoid/The Iron Soul of Nothing

  • Album review
  • Deuteronemu 90210
  • Nurse With Wound
  • SunnO)))
Published 21/01/2012

Drid Machine I’m on a train a foggy winter afternoon, beats rocking me away into an unfamiliar yet known landscape. The steady beat accompanied by bass-noisy distorted guitar rhythms feeds to the familiarity of the sounds. Suddenly strange background screeching brakes hits, but without any effect on the speed, like the change of mood when entering a tunnel, but still continues when coming out of it, . The […]

reviews

Anders Hana – Dead Clubbing

  • Album review
  • Anders Hana
  • Ronny Wærnes
Published 18/01/2012

Important Oh, caveats. They’re buggers right? Yeah. Well, here’s one anyway – without wanting to get into the ‘how do ‘we the west’ appropriate non-Western music?’, there’s always a massive problem writing about this sort of thing. I’d not suggest that my lack of knowledge of Carnatic/ Hindustani music is in any way an impediment to enjoying/ talking about Indian classical music, but I always get this feeling […]

reviews

Ustad Abdul Karim Khan – 1934-1935

1 Comment
  • Album review
  • Kev Nickells
  • Ustad Abdul Karim Khan
Published 08/01/2012

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