Label: Mute Format: 2CD No question has ever divided the civilised world more than this one: “What did you think of Nocturama?” For every devotee willing to bask in the righteous glory that was “Bring It On”, there’s a hater who’s all too keen to remind you of the less-than-spectacular “Rock Of Gibraltar”. Me? Well, I liked it. Except for “Rock of Gibraltar”, obviously. That was shit. That […]
Label: Aalfang Format: CD Bit of a weird one, this – even by the usual standards. It consists of two tracks, the first (“Geschwärtzte Milch” – blackened milk) lasting four minutes long and sounding a bit like late Swans in strummy guitar instrumental mode, and the second (the title track) being three quarters of an hour long and comprising a textbook example of Surrealistic klang-honk-tinkle-“boo!” Electroacoustic tomfoolery in […]
Label: CTI Format: CD Based on Cosey Fanni Tutti‘s inital live Selflessness action at Disneyland in California in May 2002, EAR Four aims to transmit her feelings of disorientation and being placed apart from of time the resort engendered. Remixed mainly from recordings made on site and and then broadcast precisely one year later on Resonance FM in London, the CD has had four minutes of unaltered environmental […]
The Forum, London 19 July 2004 It’s a point that’s already been made, I’m sure, but there’s at least something to be said for the otherwise abhorrent War Against Terror. Just look, or rather listen, to what’s going on. As well as the politicisation of once-apathetic masses, the already-politicised but seldom heard of Industrial Rock giants are all coming out to the barricades to chuck stuff. See the […]
LA2, London 8 July 2004 Digital Hardcore’s new signing, Panic DHH, seem to be the hot new thing on the Industrial circuit. Having managed to miss them thus far other than hearing their truly awesome album Panic Drives Human Herds, I had little idea what to expect. Would they be able to replicate the grinding “Skinny Puppy meets Ministry and they have a fight”sound of the studio? Would […]
Label: Locus Solus Format: CD Charles Hayward‘s unique observations on the grimness and greatness of human existence are usually slightly off to one side of the general flow of music and song, and Abracadabra Information is decidedly at a tangent to, but entirely redolent of the pains and pleasures of 21st Century living. Flickering on, flourescent tube style, with “Toytown” and it’s straight in to an entropic hymn […]
Label: Mute Format: CD Mute have reissued Einstürzende Neubauten‘s 1993 album Tabula Rasa along with the singles that were released at the time. These include the French, Japanese, and English versions of “Blume”. Anita Lane provides the vocals on the English version. Its a smart album full of lyrical games and riddles. Up there as a personal favourite, along with Haus Der Luge, Tabula Rasa is a turning point […]
London 16 May 2004 Twenty-three years, man. Twenty-three (of course) years since (when I was way too small to appreciate this shit) the colossal monster of sound known as Throbbing Gristle last stomped its way through a live venue. The mission was terminated? Or was it? Cut to NOW.
London 11 May 2004 Since leaving Thee Headcoatees, Holly Golightly has been carving her own idiosyncratic niche in Garage Blues, lo-fi R&B in a retro Punk vein. Eschewing the vagaries of digital technology for the immediacy of vintage Vox amplifiers, Hofner guitars and a voice turned to honkytonk leather by bourbon and bar room smoke. Bearing all this in mind it is perhaps surprising to find Holly playing […]
Label: The Grey Area of Mute Format: 2CD Ah, Industrial music before the word Industrial became synonymous with Heavy Metal! Earlier/Later is the second album of Richard H Kirk‘s archive tracks from The Grey Area of Mute, the first being Digital lifeforms Redux in his Sandoz guise. As with that album’s second disc, this compilation contains previously unreleased material, including a cover of Can‘s “I Want More” which […]
Label: The Grey Area of Mute Format: 2CD Digital Lifeforms Redux is a reissue of work originally available on Touch from Richard H Kirk, the electronic half of Cabaret Voltaire. Unlike the Early/Later compilation simultaneously released by The Grey Area, this album represents a specific moment in time: the years 92-93. It is less representative of his work in Cabaret Voltaire, not that an Richard H Kirk album […]
The Astoria, London 18 April 2004 First up, Pink Grease. I’ve been holding off on reviewing these buggers until I could manage the supreme effort of will that is not being so drunk while watching them that I couldn’t tell whether they were wonderful, or really shit. Happily, I can tell you it’s the former, although they are very, very silly indeed. They look fantastic, like they’re out […]
Label: Staubgold/Klangbad format: CD It would be difficult to predict the outcome of a collaboration between two such disparate musical outfits as these. I mean Hip-Hop and Krautrock, or whatever category Faust‘s music falls into these days, don’t suggest themselves immediately as likely partners. Or perhaps that’s just my perception. Whatever preconceptions I may have had the resultant recording has blown them away, this really is a natural […]
The Garage, London 9 April 2004 It’s good to know Thrash is alive and well and kicking up a stir, and tonight The Garage is graced with a queue down the street and eventually with a venue full of The Kids, Heavy Metal or otherwise, almost visibly churning with excitement at the prospect of a night of speedy percussion and throaty vocals. Ephel Duath provide more of the […]
The Forum, London 3 April 2004 If one thing in life is true, it that people get older, bands get mellower – the noise and sound and fury of an Industrial youth flows into a neatly-tailored sartorial elegance and a penchant for slower numbers. Or so it is with Einstürzende Neubauten; perhaps it was always there, as such things happen with people as with music. A friend recently […]
Label: FatCat Format: CD Creature Comforts is a drifting album of instruments and electronics, where rhythm and tune merge and mutate into one another. New sounds growing out of old ones. An epic psychedelic jam at points like listening alien conversation, or elsewhere like a chorus of demented narcotic Hawaiian guitars. Citing contemporaries such as Sonic Youth does little to define Creature Comforts. It at once sounds very […]
Liverpool Philharmonic Hall 27 March 2004 Described as a ‘brilliantly conceived concert’ by The New York Times this promised an evening of aural and visual assaults from across a century. It almost seemed too much to squeeze into one performance but, with the exception of the interval, all video/visual material ran concurrent with the music. Any revisiting of music which has been considered outside the mainstream by audiences […]
London 24 March 2004 A bit like starting a notebook backwards, I rush in after taking a stupidly slow and expensive cab ride, barely in time to see the last beautiful few moments of Rothko. Theirs is a sound I can recognize from way down the stairs as I run up and through the doors. Frances Morgan‘s violin is good and loud tonight, like passioned crying — just […]