Bristol 6 October 2018 Great to be back at the Colston Hall again, the stairs and upper foyer looked down on a stage that bustled with analogue and hi-tech loveliness, a crowd were perched against the glass railings in anticipation, a great vantage point for later
Tapete Annoyingly, when I received the CD of the latest Unhappybirthday release, the first thing that happened was for The Smiths‘ track of the same name to try and lodge itself in my brain. Thankfully, as soon as I pressed play, any thoughts of that rather lame song were sent running and were subsumed by a wash of gentle, hazy pop beauty.
Jawbone Press In 1908, GK Chesterton, known by many as the “prince of paradox”, expounded his theory of change using the example of a white post. Some people, he maintained, had the idea that: …if you leave things alone you leave them as they are. But you do not. If you leave a thing alone you leave it to a torrent of change. If you leave a white […]
Lumberton Trading Company The very healthy collaboration between noise artiste extraordinaire Philippe Petit and the gravelled voice wonder of Eugene Robinson is on its third instalment, and here the action — if you want to call it that — takes place in some god-forbidden forest way up in hills. The only way that you could possibly find yourself in these hills is to be completely lost and at […]
Bristol 4 October 2018 First up at The Thunderbolt were Dead Space Chamber Music, offering up a crafted dronescape of e-bowed pickups and cylindered frets from Tom Bush and a witchy, spiralling sonic topped off with choral gasps and murmuring abstractions from Ellen Southern. Even without their cellist (who couldn’t make it), this was still whorling and wondrous
Disco Gecko Andrew Heath has been releasing low-key ambient works for the last seven or eight years, first coming to prominence collaborating with Hans-Joachim Roedelius. Although Roedelius is a good indication of what you may expect from Andrew’s work, I would say that it is even lower key, making a lot of use of found sounds and field recordings
Upset The Rhythm Upset The Rhythm have scored another hit with the latest from Sauna Youth, who tear through the rule book, spraying twelve tracks in our ears in less than half an hour and then heading for the pub, leaving us reeling. God knows where they have been for the last three years
Newhaven Fort, East Sussex 22 September 2018 Ahhh, that relentless rain! After a blazing summer it’s great to get back to some genuine English weather, isn’t it? And boy, it rained all day, meaning a lot of the improv parade ground goodness at Fort Process‘s 2018 edition got secreted away, upping the happen-upon expectation to rise that bit higher.
Kranky Grouper is an irresistible force, but one that seems to become lighter and less substantial with each release. By that, I mean it is so ethereal in the true sense of the word that I am amazed it was even possible to catch it on tape.
Sumerian A logical follow up to Side A, Palaye Royale‘s Boom Boom Room (Side B) is exactly that, the other side of the album that didn’t quite make it to the first cut, but is still worth a listen. I find it is quite a mirror image to the first side, with the first four or so tracks being uplifting and fast, still with the ever-present angsty lyrics about […]
Thrill Jockey Thalia Zedek has spent a long time in the independent music trenches, becoming particularly well known for periods in Live Skull in the 1980s and Come in the ’90s, plying a ferocious strain of guitar-orientated indie-rock. For the last ten years however, Thalia has fronted her own band and over five albums, including this latest, has allowed life and the influences of complementary band members to […]
Glitterbeat Stella Chiweshe is somewhat of a legend in certain circles — a real global advocate for mbira music as well as a feminist icon — playing mbira at a time when colonial (then) Rhodesia forbade it, establishing a woman’s music festival in Zimbabwe, and all that good stuff. Of course this isn’t why you should buy this record. You should buy it because it’s lovely and you like […]
London 24 September 2018 There is a buzz about tonight’s concert, a certain energy filling the air; it’s a good vibe, full of excitement and patchouli oil goodness. It was 1966 when The Pink Floyd (as they were known then) last played The Roundhouse (on the back of a truck) and it seems that some of the people who attended that benefit show for the International Times (the […]
Fourth Dimension / Foolproof Projects Andy Pyne and Lisa Jayne, who make up the duo of Map 71, have been highlighting their hinterland that exists somewhere between myth and dreamstate since 2014. Perfectly described by Lisa’s book of words, Mutant Dreams, they inhabit and document that precious point between waking and sleeping where things appear normal, but have a touch of the surreal in the tiny details.
Beggars Arkive A case study in writing reviews on the cheap: – where possible, try and ensure that the audience is already familiar with the music. The upshot of this is that everyone’s already made up their minds — your writing is only ever manifesting an individual’s preconceptions about that band. Whether fatuous or heartfelt (probably both), the caprice that #musicjournalism is anything other than vainglorious ballast and […]
4AD The first track on Pixies‘ début release Come on Pilgrim takes a dump in your mind with its bad Samaritans and shamanic shears. Thirty years on, it’s still gnawing at you like a raggedy chihuahua as you stumble through the wreckage of a house party’s aftermath. Those heavy drums of David Lovering‘s really feel like there being clambered over, that slow thaw of salivary guitar eating at you as
Sub Pop There is often a sense of familiarity with Low albums. To a certain extent there exists a feeling that we have come to know what to expect when a new album drops. With Low’s twelfth full-length release, however, they have probably done the most that they can or have ever tried to do to cover the trail that the last twenty-five years has left.
A quick catch-up with Robert Sotelo Dan Bolger of The Pheremoans and The Bomber Jackets talks to Robert Sotelo about his new cassette and digital release, Botanical. I first met Andrew Robert Doig (AKA Robert Sotelo) in 2004, when we moved in to the same flat in Dalston. He was in what seemed then to be about a thousand bands, playing guitar mostly, facing an amp. He was hardly the […]