Figureeight Since Gyða Valtýsdóttir‘s exit from Icelandic collective Múm, she has spent her time back at the conservatoire, studying the cello and attaining qualifications both in the classical style and also in free improvisation. Since then, after journeying with artists as diverse as Damian Rice, the Kronos Quartet and Jonsi; and releasing 2016’s Epicycle, in which she re-configured classical pieces plus some of a more esoteric nature into her own […]
Faber and Faber There’s so much here. This book has almost been written several times, but here we have it; the real deal. If much of this material has been covered in other places, David Stubbs injects everything with a new light and throughout he maintains a sense of reverent shock and awe at the sound itself.
Transgredient Troum have been illuminating the drone landscape for over two decades now, so to celebrate their twentieth anniversary, they decided to issue a lush two-disc set where they invited friends, family and interested parties to tackle their favourite selections from the Troum catalogue.
“” — Lisa Jayne Following the release of their latest Void Axis CD via Fourth Dimension and Foolproof Projects, Lisa Jayne and Andy Pyne sat down to discuss the album, their music, art, methods, origins and sources of inspiration with Kev Nickells. The interview is presented as two audio recordings
Nicey Music Once again, that pseudonym of modern psychedelia and bedroom recording, Robert Sotelo is on the loose, this time firing out a missive courtesy of the good people at Nicey Music. This current cassette only release finds our enigmatic songwriter testing himself by writing solely on electronic keyboards
Modularfield Modularfield‘s continued campaign to highlight low-key experimental electronic music from around Europe has settled on Cologne, and particularly the latest album from Marco Petracca AKA HHNOI.
Bristol 6 October 2018 Great to be back at the Colston Hall again, the stairs and upper foyer looked down on a stage that bustled with analogue and hi-tech loveliness, a crowd were perched against the glass railings in anticipation, a great vantage point for later
Tapete Annoyingly, when I received the CD of the latest Unhappybirthday release, the first thing that happened was for The Smiths‘ track of the same name to try and lodge itself in my brain. Thankfully, as soon as I pressed play, any thoughts of that rather lame song were sent running and were subsumed by a wash of gentle, hazy pop beauty.
Jawbone Press In 1908, GK Chesterton, known by many as the “prince of paradox”, expounded his theory of change using the example of a white post. Some people, he maintained, had the idea that: …if you leave things alone you leave them as they are. But you do not. If you leave a thing alone you leave it to a torrent of change. If you leave a white […]
Lumberton Trading Company The very healthy collaboration between noise artiste extraordinaire Philippe Petit and the gravelled voice wonder of Eugene Robinson is on its third instalment, and here the action — if you want to call it that — takes place in some god-forbidden forest way up in hills. The only way that you could possibly find yourself in these hills is to be completely lost and at […]
Bristol 4 October 2018 First up at The Thunderbolt were Dead Space Chamber Music, offering up a crafted dronescape of e-bowed pickups and cylindered frets from Tom Bush and a witchy, spiralling sonic topped off with choral gasps and murmuring abstractions from Ellen Southern. Even without their cellist (who couldn’t make it), this was still whorling and wondrous
Disco Gecko Andrew Heath has been releasing low-key ambient works for the last seven or eight years, first coming to prominence collaborating with Hans-Joachim Roedelius. Although Roedelius is a good indication of what you may expect from Andrew’s work, I would say that it is even lower key, making a lot of use of found sounds and field recordings
Upset The Rhythm Upset The Rhythm have scored another hit with the latest from Sauna Youth, who tear through the rule book, spraying twelve tracks in our ears in less than half an hour and then heading for the pub, leaving us reeling. God knows where they have been for the last three years
Newhaven Fort, East Sussex 22 September 2018 Ahhh, that relentless rain! After a blazing summer it’s great to get back to some genuine English weather, isn’t it? And boy, it rained all day, meaning a lot of the improv parade ground goodness at Fort Process‘s 2018 edition got secreted away, upping the happen-upon expectation to rise that bit higher.
Kranky Grouper is an irresistible force, but one that seems to become lighter and less substantial with each release. By that, I mean it is so ethereal in the true sense of the word that I am amazed it was even possible to catch it on tape.
Sumerian A logical follow up to Side A, Palaye Royale‘s Boom Boom Room (Side B) is exactly that, the other side of the album that didn’t quite make it to the first cut, but is still worth a listen. I find it is quite a mirror image to the first side, with the first four or so tracks being uplifting and fast, still with the ever-present angsty lyrics about […]
Thrill Jockey Thalia Zedek has spent a long time in the independent music trenches, becoming particularly well known for periods in Live Skull in the 1980s and Come in the ’90s, plying a ferocious strain of guitar-orientated indie-rock. For the last ten years however, Thalia has fronted her own band and over five albums, including this latest, has allowed life and the influences of complementary band members to […]
Glitterbeat Stella Chiweshe is somewhat of a legend in certain circles — a real global advocate for mbira music as well as a feminist icon — playing mbira at a time when colonial (then) Rhodesia forbade it, establishing a woman’s music festival in Zimbabwe, and all that good stuff. Of course this isn’t why you should buy this record. You should buy it because it’s lovely and you like […]