Back in 1978, The Mekons were riding high at the forefront of the emerging post-punk movement, only to seemingly miss their chance and disappear from view like so many others from the scene. Their resurrection with a new line-up in 1984 was as unexpected as the new direction they took. In the thirty odd years since, they have developed a music that sounds terrible in theory — a mix of Americana, world music, punk, trip-hop, reggae, morris dance — allied to surrealist imagery and left wing politics that bizarrely works against all odds.
The versions are largely pretty faithful to the originals, despite the absence of accordion and fiddle and the presence of piano. The group stray most on (almost) title track “Fantastic Voyage”, where the tempo is slowed right down, the frenetic Bo Diddley beat replaced by a lazy country shuffle. The opposite trick is applied to the de-countrified opener “The Curse”, which comes over like a cross between The Faces and The Band — tellingly, two groups who the Mekons have been known to cover.
-Alan Holmes-