This is the second instalment of Bureau B‘s Con-struct series, with Schneider TM taking up the posthumous reins, grappling with Schnitzler‘s daunting archive. In direct contrast to Pyrolator‘s take on the subject (a few years back), this dwells on the more investigate side of Mr Conrad‘s oeuvre, something Mr Dresselhaus gets down’n’dirty with, eking out a host of abstract vitality, wrestling with sonic life-forms that defy your dance floor dexterities.
The sounds here pulsate, bristle with (im)possibility, opening with “Doozer”‘s comedic mis-shapes aggressively foxholing your noggin in tight-fitting squelch, trussed up surreality and frequency-shifting garg(oy)les that fly out on mathematical mischief. It’s an arresting start which the reverbed soaked concussion of “Dabbs” overtakes in vivid splinters and slo-mo diffusions.
Schneider TM’s Con-struct is a masterful polyharmonic fold of creator and creative lost in drifting symbiosis. A drone savannah of flux coaxed curl and corrupted murmur that sounds very séance-like indeed.
-Michael Rodham-Heaps-