It can’t be a mistake that Red = Rot since this is electronic music rotted one note at a time. As a debut solo album – its actually more complicated than that – it’s a singular attempt to define a new genre of bubbling, messy, electronic music… Rot is propulsive/compulsive; as dark and shiny as a Scribing Mirror. You can hear the tangles that Conrad Schnitzler gets in and he leaves them there, testing the boundaries, daring the listener to accept these notches and whirls as actual music…
Blau is a slightly gentler cousin, as if he’d broken the traditions with Rot and recognised the need to slightly reassure again. This isn’t quite as spaced out as Klaus Shulze et al but it’s a recognisable kin and heads back into space again, albeit a harsher, colder space than we’re used to seeing… This isn’t The Orb. Blau feels more composed, less accidental than Rot (I’d imagine in reality that both have been very carefully controlled and organised) and, as such, works for different reasons. Rot attacks and then retreats; Blau just simmers and pulses… There’s still a lot going on, but the notes are held for slightly longer and the awkward knotting is largely untangled.
-Loki-