This could have been. The idea behind Belgotronics is zeitgeist-tappingly brilliant; we need a Belgian version of those Congotronics tricks; that DIY ethic, those tumbling rhythms, those alien sounding timbres and treads, that otherness. Everything seems in place; the name – Hoquets references “hockets” (the technique used in Western medieval music, Africa, Bali and elsewhere of sharing a melody line between several voices or instruments) and “hoquets” (pronounced “OK”, and the French word for “hiccoughs”) – even the music itself, which rattles and slips like a woodworker’s shed sliding slowly downhill, but… the vocals ruin it for me. They are ‘off the wall’ but not convincing, crazeee not crazy; you don’t have to be mad to be in this band but – well, that’s it. That’s all. There’s an absence at its heart that I can’t get past.
I guess I’m especially down on this because the music is more or less fantastic. They’ve got sounds that need hearing; fairy-tale, woodchopper sounds, the rhythms a wolf hears before it gets beheaded. If Hoquets were an instrumental band they’d remind me of a more intense, more wired, less considered Clogs and that would be a thing of small beauty. Stop singing, guys.
-Loki-