Ever needed to block out the world beyond the ears with the application of sound, to soak and bleach away the intrusive noises of other human beings, their transport, the built environment, the elements themselves? Try Scarlet then, up loud and/or on headphones, and let Jim Haynes reorganise the sound world in rawer form.
From the piercing swell of whining electronics to the more viscerally noisy, the flagrantly vicious application of controlled feedback or the pulsating thwup of what sounds like a diesel generator running erratically (but is actually yet more applied tone generation), Haynes lets it all hang out, then slathers the results in a few more effects until the brutalist repetition gets too much. And then he does it all again (and maybe once more, just for luck, good or bad), but with a different emphasis. When his lock-step self-propelled and unsequenced rhythms have sufficiently served one purpose, he happily switches them over to another route, or pulls the noise plug completely to let it all build up once more into something altogether more hauntedly mechanistic. All good, dirty fun.
– Antron S Meister-