Shonen Knife tend to massively divide opinion. And, contrary to what you may have been told by the well-meaning, there ARE opinions which are right and opinions which are wrong and worthy of no respect. Some people find their Ramones-drenched girlpop infuriatingly twee- these people have the WRONG opinion, and should be pointed and laughed at in the street. Others think their particular brand of kawaii-core (yeah, I did just make that up. Whatcha gonna do about it?) to be a truly wonderful thing and perhaps even capable of one day bringing about global peace and harmony. This is the RIGHT opinion. And these are, of course, the only two possible opinions available on Shonen Knife. And you don’t want to be pointed and laughed at in the street, do you? You do? Oh. OK. Whatever.
Yeah, maybe I’m overstating my case a little, but, well, only a little. Shonen Knife ARE wonderful, and I defy even the haters to attend a gig without smiling. Can’t be done. I mean, I could imagine someone not liking Shonen Knife, and pity them for it, but I don’t think actively DISliking them is even possible for a human being. But we’re here to talk about a record (as we used to call them back in the day), Overdrive (as this one is called in the here and now). And it’s great.
But what about that darkness? Oh, we got darkness. We got “Robots From Hell.” But even they sound quite jolly, all things considering, especially for a tremendous piece of gothy sludge metal such as this. If they spell the end of humankind, it looks like we’re going out on a high note. The whole thing comes on like The Ramones jamming with The Ronnettes, followed by some green tea, a trip to the shops, killer robots and a big bowl of noodles. It all makes sense in Shonen Knife’s world, which is a damn sight better than the one the rest of us live in. It’s nice to be invited there occasionally. And yeah, I WOULD want to live there. Who wouldn’t?
People who are WRONG, that’s who.
-Justin Farrington-