Editions Mego/Ideal Russell Haswell‘s Further 12″ opens with a burst of what could be fireworks, or might indeed be some kind of demented “Black Metal Instrumental Intro Demo” for that matter. The rippling bursts of reverbed drum machine splutter and brap with an apparent randomness which could just as easily be blasting into the sky as into an unlit, dank Norwegian cellar club with spasmodic arhythmia and no […]
12″ EP
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12K/Bitstream Sometimes, smaller and quieter is better, is perfect. This slender little piece is 20 minutes exactly, a precise slab of (ahem) Lovely Drones that shows Stephan Mathieu at his serious, studied best. Beauty slowed down. The WK is legendary “quiet” pianist Wilhelm Kempff, whose 1927 recordings of Beethoven‘s Piano Sonata No. 26 Les Adieux are used as some of the generative material here. Mathieu’s process sort of […]
Rise Above (12″)/Coptic Cat (CD) It was 1974 when Comus, after two truly blood-curdling albums (1971’s First Utterance and 1974’s To Keep From Crying), retreated to his woodland bower, lay down in a mossy hollow and went to sleep. Those recordings had been barely understood at the time, their power and strange attraction undeniable, yet somehow they remained too demonic, too priapic, to be embraced by those frightened […]
Terp It’s got text in Amharic on the sleeve! I assume! It’s about single length! It uses exclamation marks to describe itself, and this seems awesome! Because the music is awesome! … I remember when I first heard drum n’ bass, on Peel, sometime in the 90s. It was weird and scary and made me feel a little bit sexy when being sexy was a weird feeling but […]
Public Information A little sliver of electronic gargling from the man of the moment, Ekoplekz. If you want to know which moment, you’ll perhaps have to remember that Dromilly Vale is Nick’s imaginary recording studio, a hybrid of King Tubby’s on Dromilly Ave, Kingston and the Radiophonic Workshop’s Maida Vale studio in London. This is 1973 re-imagined uchronically; maybe Dick Mills and Lee Perry did hang out, swapping […]
Lumberton Trading Company As part of the Lumberton Trading Company‘s limited edition subscription series (others in the set include Glass Out – with vox from the late Jhonn Balance; the ever-crackly Main; Brian Conniffe; Human Greed;and Jean-Hervé Péron plus guests) of 12″ singles, Cindytalk – (AKA Gordon Sharp) teams up with Philippe Petit for a double-A side mini-album. Taken together, the two sides of vinyl make for an […]
(Hydrahead) For most of the twenty-eight years since Lustmord’s debut, the lot of a devotee has involved much twiddling of thumbs between infrequent releases and little chance of catching the man live – the portentous date of 06/06/06 seeing his first (and to date only) live appearance since the early eighties. Happily, in contrast to most creative trajectories, the old contrarian seems to have grown more prolific during […]
Label: Sonic360 Format: CD;CDS/12″/Digital Download Mockery is the breathtaking début album from Littl Shyning Man, a.k.a. Christopher Haworth, which was originally released in 2005. To me it struck a chord with Mothlite‘s The Flax of Reverie – a huge symphonic sweeping spectrum of style: a mixture of electronics and instruments, frantic modernist string pieces, vocal harmonies, spoken word, raw buzzing noise, drum and bass joins folk in a […]
Label: Skull Disco Format: 12″ The debut release from the Skull Disco label, this double A side 12″ shows there’s lots of promise lurking between the drumming and dancing skeletons which are sure to become a sought after signature design characteristic of the label. Neither track references dub as a chilled out dope-nodding groove, instead distancing the bass and drum sounds, such as they are, from the body […]
Label: Planet Mu Format: 12″ The Lesser Spotted Burberry EP could as easily be a paean as a pisstake, but there’s no doubting the fervour of Henry Collins‘ approach to beat-mangling. “Ellesse Warrior” swoons from driving mashup to celebratory breakcore with a dizzying sense of humour in the application of a hint of ragga and a good dose of manic intensity. Peppered with progressively more and more dissolute […]
Label: City Slang (Europe)/Mute (North America) Format: CDS,12″ The Pantone EP brings together a selection of tracks originally aired on To Rococo Rot and I-Sound’s Music Is A Hungry Ghost album, here revised in light of live performance. “Pantone (Red)” whirrs out from an opening skim across the glitchscape into a tinkly melody, all trailed echoes of brightly-sparking electronics and the characteristic TRR bass glide. The synthetic strings […]
Label: Flesh Format: 12″ Flesh Records take on the dancefloor with their blend of extended electro-techno-gothic, neatly introduced by the throbbing smash-to-be of ST AP 00‘s “Mr GD”, in which someone with a very keen enthusiasm for David Bowie describes a sinister encounter of the less than savoury narrator with the little old Mr Gravedigger. All this is set to a pounding dance track with some seriously groovy […]
Label: Domino (Europe)/Thrill Jockey (North America) Format: 12″,CDS Some high-energy silliness from the Mouse On Mars folk, running straight at Garage with a wild yelp and a cheesy grin before folding it up into bouncy breaks and a full-mouthed wade through distorted vocals, better tasted on the full-length mix. Smartly insane, as is the electronic detritus swept up by the trio and Herbert, AKA Dr Rockit into “DJ […]
Label: MDZ Format: 12″ “Charme 75″, taken from Oh.‘s Upper Disker album, finds the gang in Housey mode, chuckling their abundant collection of analogue synths along to a slippery Funk-based track which does the dancefloor thing in spades. Warmth is the key here, and the knowledge that this is the result of live interaction between people and not just machines adds further to the pleasures of the basic […]
Label: FatCat Format: 12″ Matmos‘ side of this disc has two tracks, the first of which, “Freak ‘N’ You”, uses digital cut-ups to make snickering Funk from the garbage of sundry abandoned R&B acapella vocal CDs left lying in bins at Drew Daniel‘s college radio station; and very odd indeed it is too. Deracinated Soulful singers make a skipping, skimming presences in a piece which gets up early […]
Label: Leaf Format: 12″ Soundclash time, as Kieran Hebden and Stefan Betke go tape-head to tape-head in their Four Tet and Pole aspects, each recording a track and letting the other plug away until some kind of remix level is reached. The original tracks are put onto the EP as well, so it’s all making for the split single for the Nineties – scratch that, Twentifirst Century… Pole’s […]
Label: Beggars Banquet Format: 12″,CDS Initially, this is really quite disappointingly normal, especially when compared to the stunningly evocative combination of HipHop rhythms with Isolationist textures which made up the remarkable Beat album a few years back. By contrast “Freedom Fighter” goes for the laid-back, casual-smoking vocal style and ironic personality analysis song-structure of indie trip-hop, but in what feels like a very commercial manner. Which, to be fair, is adequately hooky and […]
Label: EMI/Electrola Format: 12″,CDS Smoothness… There is nothing inherently wrong with this. It would be easy to bring the metaphor of the “well-oiled machine” into play in considering these four pieces. Is the situation of the metaphor the dominant theme in the existence of Kraftwerk? Even in the days of the Kosmische, there was this notion of reaching the cosmic, voyaging into outer space through inner space, and […]