Applebush/Easy Action The world finally caught up with The Stooges when punk exploded, while Iggy himself ingeniously morphed into an alienated teutonic modernist, simultaneously retaining his appeal with the punks while appearing several steps ahead with his two 1977 Berlin albums The Idiot and Lust for Life. By 1979 however, he seemed to have back-pedalled slightly, recording the New Values album with latter day Stooges James Williamson and […]
Alan Holmes
70 posts
Rascals, Bangor 2 March 2010 For a supposed “Land of Song”, Wales has thrown up surprisingly few truly great musical mavericks over the years. Sure there’s been John Cale and David R. Edwards, and maybe Gruff Rhys and Brian Lustmord but that’s about it. It may then raise an eyebrow or two that despite her scant handful of releases to date, I wouldn’t hesitate to add relative newcomer […]
(Endgame) Shane Fahey is an ex-member of the seminal Australian post-punk combo The Makers of the Dead Travel Fast, whose much sought-after late 70s and early 80s output has recently resurfaced on a couple of anthologies focussing on the releases of the M Squared label. If anyone was wondering what the group’s synth player has been up to since then, this release at least partly answers the question. […]
(Hydrahead) For most of the twenty-eight years since Lustmord’s debut, the lot of a devotee has involved much twiddling of thumbs between infrequent releases and little chance of catching the man live – the portentous date of 06/06/06 seeing his first (and to date only) live appearance since the early eighties. Happily, in contrast to most creative trajectories, the old contrarian seems to have grown more prolific during […]
Imprint If John Peel were still with us today, he would undoubtedly love Monkey Island. Straddling the aesthetics of his own Dandelion label and his beloved Ron Johnson Records, this Hackney-based group may be the hitherto undiscovered (and indeed unsearched for) missing link between Stackwaddy and Stump. Opening instrumental “Back to the Stoneage” could be an out-take from Beefheart’s Mirror Man had The Magic Band been imbued with […]
Further Murmurations sees guitar noise dronemeister Urthona teaming up with London-based electronic boffin The Asterism to create some wonderful alchemy on two long pieces inspired by the natural world in the West Country. Although a CD release, Murmurations is conceived as a classic vinyl LP, with side one’s 24 minute “River Severn Bore” incarnating the relentless natural power of the said tidal current, layers of distorted guitar and […]
(Applebush/Easy Action) The collections of ‘rare’ T. Rex material to have appeared in the years since Marc Bolan’s death in 1977 by now dwarf the official output released during his lifetime. Although much of them are deeply inessential, and sometimes indeed unlistenable, carefully sifting through these volumes of out-takes and demos unearths some gems that actually surpass the official releases. The alternative versions of Electric Warrior and The […]
(Hometapes) Hailing from Copenhagen, Slaraffenland have made an album that seems quite out of time without sounding in the least bit dated. Their sound is at once infectious and fidgety – a restless pop music that harks back to the days when groups had too many ideas to stop and spend any time polishing any of them into blandness, moving on to the next song before the last […]
(Midwich) A folk group from Essex recording a concept album about the Lofoten Islands in Arctic Norway seems an intriguing though ultimately self-defeating idea. After all, isn’t the idea of folk music that it reflects the culture it comes from, rather than holiday snaps of exotic locations? Actually, it turns out that the two areas share a large amount of common folklore, dating back to Viking times, and […]
Islington Mill, Salford 8 December 2009 Ever vampiric, the avant-guard periodically replenishes itself on fresh blood in pastures new. Jazz, psych, prog, industrial and Dance have all fallen prey during the past half century, and now it’s the turn of that seemingly most reactionary of genres, metal. The signs had been there as far back as the early 90s, with the Melvins, Sleep and Earth all forging new […]
(Sinnbus) I Might Be Wrong come from Berlin and are, apparently, “supported by the Initiative Musik Non-profit Project Company Ltd. with project funds from the Federal Government Commissioner for Culture and Media on the basis of a resolution passed by the German Bundestag.” Splendid! – how can we resist an album boasting such venerable patronage? Naming your band after a song by your fave combo however, is rarely […]
FatCat In a music world where the past is ever present, remarketed and remastered for future generations, The Twilight Sad seem to have chanced upon the dusty old trunk marked “The Eighties” and gleefully plundered its contents wholesale, though highly discriminatingly. Luckily, these resourceful Scots have what it takes to transcend the sum of their influences, rearranging the jigsaw pieces in a reassuringly wrong order – imagine The […]
Constellation When Toronto’s Do Make Say Think emerged over a decade ago, they came over as an enjoyable but slightly generic example of the Canadian post rock scene of the time, seemingly doomed to live in the shadow of Montreal’s Godspeed You! Black Emperor, before fading away when the post rock bubble burst. In the event, things have turned out very differently and as G!YBE themselves seem to […]
Easy Action While a 4CD set of murky cassette recordings of the same set from four different Stooges shows during Spring 1971 is clearly only of any real interest to hardcore Stooges fans, why would anybody not be a hardcore Stooges fan? The three holy relics that have sustained the Stooges’ reputation for the past thirty five years are in themselves perfectly realised works of unparalleled slobbering rock […]
(Éditions Mego) I first became aware of Sister Iodine when my group Fflaps played alongside them in Lille way back in November 1992. I enjoyed them a lot – they played a thrilling high energy no wave inflected punk rock, full of dissonant guitar savagery, filtered through an inscrutable Gallic nonchalance. Maybe their sound at the time owed a little too much to Sonic Youth, whose Lee Ranaldo […]
(Geo) Alarm bells ring when the press release quotes from Mixmag‘s review of Roshi‘s previous release And Stars: “Stunningly beautiful Welsh-Iranian electronica torch songs” conjures up visions of dinner party audio floss – an unsuspecting musical victim snatched from a ‘novelty’ country, tacked on to a politely unobtrusive trip-hop beat and polished to a mirrored sheen with Real World™ grade 1000 aural sandpaper. Happily, The Sky and the […]