Fire Right yeah, so – Pulp. WHAT I REMEMBER of the time of Different Class is that there was a bit of a sense of them being very much a “ooh, follow your dreams, keep plugging away and eventually you’ll make it” thing, in terms of what the press were saying. Which was nice of them. As if to say ‘even if your entire output is utterly shite, […]
Kev Nickells
204 posts
Important Oh, caveats. They’re buggers right? Yeah. Well, here’s one anyway – without wanting to get into the ‘how do ‘we the west’ appropriate non-Western music?’, there’s always a massive problem writing about this sort of thing. I’d not suggest that my lack of knowledge of Carnatic/ Hindustani music is in any way an impediment to enjoying/ talking about Indian classical music, but I always get this feeling […]
Industrial OK, quickfire ‘proper review’ bit – lovely re-issue with lovely packaging all put together in a lovely way with some additional pictures, re-mastering, general loveliness, a lovely essay from Jon Savage and a lovely live show being lovely. Worth buying? Oh yes. Very much so. Perhaps their most commercial record, which is a relative term, and has a lovely mix of the very studio-y 20 Jazz Funk […]
Cherry Red “I had to wank off the cat/ to feed the fucking dog” On their…John Peel…members…alcohol…living [if we must] ‘leg-end’…some bollocks about Germanic renderings…millionth…[cough]…returntoformbusinessasusuallwhydotheystillbother [delete as applicable]…wife…relatively…-uh…always the fucking same but fucking always fucking different…fucking… …Seminal: “I had to wank off the dog/ to feed the fucking cat” I very nearly decided to write this review as a review of reviews of The Fall. If anyone from […]
Industrial …right, so I’ll get the actual review part out of the way, assuming someone’s reading this from either the perspective of not knowing Throbbing Gristle or is interested in what’s new in this re-release/re-master. This shouldn’t take too long, don’t worry. First – if you don’t know TG, and you’re in any way interested in early industrial music – that is, the variety that wasn’t a pale, […]
Striate Cortex You might not know joinedbywire, but if you do, you’ll probably know them for their exquisite packaging. Their latest is no exception to that rule – it’s an entirely beautiful, apparently home-made, fabric-on-hardcase thing which makes me wonder quite why most CD packaging looks so hopelessly crap – especially limited run or self-released records. I’m not sure if a little .jpg will do it justice, but […]
ReR It’s a curiosity, this one. I don’t know if you’ve seen Paolo Angeli‘s prepared guitar (have a look on YouTube), but it’s legions more cumbersome than the old crocodile clips and ebows that pass for prepared guitar in some circles. Part of me thinks of tacky one-man-bands when I look at it but, luckily for Angeli, the absurd look of his creation is quickly mollified by the […]
Raster-Noton Alva Noto and Ryuichi Sakamoto‘s partnership is nearing a decade now, and it’s odd to think that (from what I remember), the pairing of a laptop and an acoustic musician was quite odd at the time – especially given Sakamoto’s history as a ‘proper’ classical musician. It could be philistine-coloured glasses on my part, but my memory of the early ’00s was that digital musicians and non-digital […]
Touch Field recording is, for me, one of those genres so fraught with problems I generally disregard it almost entirely. Natural environments have a worse habit for being sonically unruly than the average coked-up drummer. A friend reminded me of the rule of festivals recently: “remember it’s in a field.” Because . I always admire sound artists turning to the field recording – but getting a result that’s […]
Zeitkratzer Since 1999 Zeitkratzer have done a sterling job of carving a particular niche for themselves in the under-explored hinterland between academic/serious music and the less academically considered world of noise/ ‘other’. I first came across them on the formidable 2002 release Noise \ … [Lärm], where they interpreted pieces by Merzbow, Zbigniew Karkowski and Dror Feiler. It’s been nine years since then, and it’s still an absolute […]
Dekorder Soundtrack albums are troubled beasts – the relationship between visuals and music can forever colour how we feel about the music. Who can hear “Summer Loving” without thinking of that scene in Grease? Interesting, then, that this record doesn’t have the direct film-soundtrack relationship – while it was designed to accompany a film by Christoph Schlingensief, it apparently mutated into something else, and the film failed to […]
[Self-released] Two sides of Mr Hignell’s [post=”daniel-alexander-hignell-soundscape-study-001″ text=”oeuvre-coin”] here – first, his math-rock (ish) band affair, and second his more ambient/home listening outings. Some Cartographers is the hopefully final name the band previously known at various points in the last six months as (deep breath) Bygrayvpartynmyrytarm, Tourist killed in Shark attack and Mockery Goggles. I’m not sure if it’s me being a miserable bastard or if the song […]
Daddytank Hangin’ Freud‘s Sunken has been lurking around like an illicit bruise on the interwires for a while now. And now it’s got a proper release on a CD, the sleeve all soft-focus dirty purpley hues and malevolence. The release made me quite pleased, for two reasons: first, I forget to listen to things if they’re not physically in front of me; second, it’s too good to be […]
Innova Lukas Ligeti: Paris Hilton of c21st avant-garde. No, that’s bollocks. I just wanted to say it. I did pick this CD up because György Ligeti is one of my favourite composers, and Lukas is his son. But, save for a striking similarity in surname, there’s only glib, superficial similarities between father and son: bits of Pattern Time could bear a passing resemblance to Ligeti Sr’s “Movimento Preciso […]
[Self-released] Ok, cards on the table: my cards are not metal. In the game of music, I picked up a ‘go straight to noise, do not pass metal’ card in my teens. I’ve picked up on a few things here and there since – you know, the sedate stuff. Agorophobic Nosebleed or whatever. All fun and games. I wouldn’t say metal wasn’t my cup of tea. But I […]
130701 Prepared piano always struck me as one of those ideas that shouldn’t really have stopped dead with John Cage‘s nearly-pensionable pieces. I’m no scholar of modern piano, but I’ve not heard many people having a tinker about with the inners of a piano. A real shame, as I quite like the idea of some flat-capped old fella lugging the upright into his shed to make gamelan sounds […]
Crass “Feminism – what happened?” (Eve Libertine). (Writer checks footing on soapbox. ‘Secure? Good. Let’s go…’) This is a ridiculous record. I’ve never listened to Crass before, and I was still the other side of birth when it was released. Ridiculous and offensive, really. But not the record itself. Oh no. It’s brilliant. No-one. Obviously. The problem is that this should, by all reasonable rights, be a record […]
Onomatopoeia The Rising of the Lights is a record that feels exceptionally English – if someone said it was some hitherto unreleased Canterbury Scene opus, or some obscure Matching Mole side project, I’d likely not arch an eyebrow. It’s a record that’s indebted massively to Drake‘s tenure in Cardiacs, though a great deal less acerbic and more light and whimsical. The first two tracks particularly shimmer in a […]