Acrobat John Coltrane then. I’ve not really listened to a great deal of ‘trane. So it’s probably pretty stupid to review a 4-CD box of stuff that’s likely for the jazz collectors market, right? Except, y’know, jazz is a thing that exists in the cultural memory, so if it’s just […]
Kev Nickells
202 posts
Staubgold Confusing record, that’s the synopsis. It’s got all the ingredients of a blinder — fully world-class players, uncommon mix of instruments, well recorded and mixed… but it’s lacking a certain something. That something being length. There’s arguably a problem with Jaki Liebezeit‘s pedigree — Tago Mago‘s one of my […]
Crammed Discs A new year, another chance to get preponderous about whatever it is that makes us like a thing. Jozef van Wissem‘s Stations of the Cross is about seven years old now, a record I got and thoroughly enjoyed and always intended to follow up but entirely failed to. […]
Brighton 10 December 2014 Gig-craft. It’s a tricky thing. Something that’s a perennial irritation for me is the way you’ll get a touring band and three-five clones of that band. I always have this problem with things like grindcore gigs where you just get five of the same band. Which […]
Zeitkratzer (CD)/Karl (LP) Right then. First thing to say is that this is an awesome achievement. And one that I’ve been waiting to have a proper listen to for a while. Metal Machine Music (MMM) doesn’t, perhaps, stand up as the finest noise/tape collage records, but it does have a […]
Mute Perennial problems of established bands — your new record is very good, but you also wrote… fucking hell, “Oh L’amour,” “Drama!,” “Ship of Fools,” “Blue Savannah,” “Victim of Love”… I mean, just the ornately extended “never” on “Drama!” is enough to merit a statue of Messrs Bell and Clarke […]
Ankst So when a new EP comes out from Datblygu, Freq offers up not one, but two reviews. Firstly, Kev Nickells enthuses: In a caveat that might as well be me saying “this is why I don’t write for a living,” it’s tricky writing about Datblygu. Certainly from my perspective. […]
Tuff Enuff I was going to write something about this being “conceptually perfect,” but that feels a bit disparaging — it’s a tribute act, and it’s obviously important that a tribute act get their ideas right — but there’s a lot more thought gone into this than just “women playing […]
London 7 July 2014 Kev Nickells went to see Japanese kawaii-rockers Babymetal live in London, and loved it. Barnabas Y, however, offers a riposte to the popularity of the genre-bending phenomenon. Pictures by James Sting. The review You should probably be aware of Babymetal by now. I first came across […]
Brixton Electric London 27 May 2014 Since reforming – or, perhaps more accurately, reincarnating – in 2010, Swans have rapidly become one of the most extraordinary musical entities of our age. Their comeback album, My Father Will Guide Me Up A Rope To The Sky, was a fine release, and […]
With the annual festival of all things Europop upon the screens of a continent and beyond, Kev Nickells runs through the entries. Eurovision – a cherished institution. Writing this has been a bit of a nightmare, to be honest, because Europe’s a lot bigger than you think it is. Spreads […]
Brighton 18 March 2014 This was a funny evening. Good, of course. Sidi Touré is really quite the performer, and his band some of the finest. I kind of get the impression it’s not really a regular gig-going crowd. At one point there was a chap clapping out of time […]
Four releases from a shiny new label devoted to something like sound-art, but not as asceptic and dry as that genre has a habit of implying. Hopefully, label head Seth Cooke is already known to Freq readers, but if not his is a formidable CV – sometime Freq writer, engine, […]
Bureau B Ok, apologies for the absurd delay in this – these two Asmus Tietchens albums were re-issued in November of 2013 and a whole festive period and all the excessive faff that that entails has gone and left me only writing this far too late in the day. It’s […]
Thrill Jockey Getting the hastily-search engined blurb out of the way: Sidi Touré (no relation to the other famous musicians with the same last name from the same country) is from Mali; Mali’s had it pretty rough of late, and seems to be in a tempestuous state politically. I shan’t […]
Ex Cathedra / Words+Dreams …so there’s a thing with a lot of musical vaguely designated as ‘classical’ where the descriptions don’t per se tell you a great deal. ‘Pounding kraut vibes’ tells you most of what you need to know about a record but “ a palindromic movement structure, the […]
Iotacism Back in the day, there was tape-trading. Conducted by post, y’know, when there was a postal service rather than a mausoleum of “a good idea we used to have”. I used to do a fair amount of it. It was a great way to find out about stuff you […]
Rocket Bloody hell lads. Bloody hell. So I’ve seen Teeth of the Sea a few times. First time a good four years ago when they were playing with Gnod and Thought Forms at a time when Gnod were, with due deference, about the best band in the country. So my […]
Bureau B I have to say I was ignorant of Asmus Tietchens until he played recently in Brighton at Spirit of Gravity (an experimental electronica night that’s very much worth your time if you’re in the area). A load of my mates who were of age in the ’80s speak […]
FatCat Blurbgloss: Niger, cheap gear, poor part of the world. Seems like Tal National are more like a big band (shifting members) than a group/band per se. As with proper parts of the world with a decent live music culture (e.g., everywhere other than the UK), they play five hours […]