Lumberton Trading Company As part of the Lumberton Trading Company‘s limited edition subscription series (others in the set include Glass Out – with vox from the late Jhonn Balance; the ever-crackly Main; Brian Conniffe; Human Greed;and Jean-Hervé Péron plus guests) of 12″ singles, Cindytalk – (AKA Gordon Sharp) teams up with Philippe Petit for a double-A side mini-album. Taken together, the two sides of vinyl make for an […]
Linus Tossio
(self-released) Cozmic Onion Express are one of those bands it would be far better to see live than listen to on this record. There’s nothing whatsoever wrong with it at all; in fact it’s a great introduction from one of the most zanily accomplished head-messing bands in London right now. The recording quality is fine, the dynamics are sharp, the energy conveyed is high – but they just […]
Agitated Taken – kidnapped, stripped, re-educated and reborn, even – from Mugstar‘s heavyweight slab of spacerocking goodness [post=mugstar-lime text=”Lime”] and given a thorough going over by Robert Hampson of Main and Loop fame, “Serra” reappears in a 39 minute extended format on clear green vinyl (split in two parts) and CD. And what a re-imagining this is. Hampson extracts the essentials, then reprocesses, extends, twists, unravels and distends […]
Essence Music A welcome re-release in lavish packaging for Aidan Baker‘s 2007 CDR-only effort, complete with remastering at the hands of the deservedly legendary James Plotkin. Noise of Silence finds Baker in muttering loopy mode once again, with ominous, faintly mechanical sounds trilling, sussurating and billowing around what could be misinterpreted as the rambling voices heard trickling through central heating systems and fluttering down the chimney stack during […]
Rotorelief From the moment Bryin Dall starts singing “I Feel So Lonesome I Could Cry,” it’s evident that this is no ordinary selection of Hank Williams covers. With everyone (and probably their dog) who ever played a guitar seemingly having tackled their own version of the Hank Williams œuvre, Dall’s particular take on the subject matter primarily emphasises the pain and anguish of the songs, wringing every last […]
Drag City It’s fair to say that the motorik template is now so firmly embedded into popular music that a waft of Klaus Dinger‘s beloved rhythm can trickle over the PA in an mid-range department store pretty much anywhere from John Lewis to Galeries Lafayette via Macy’s and no-one browsing there will blink an eye. But as the shoppers drift on to finger the latest seasonal offerings longingly […]
ConSouling Sounds Rippling with softly-struck piano strings echoing through a slow accretion of sonorous drone fragments, the opening minutes of Lost in the Rat Maze finds Aidan Baker stepping briefly into the brightly-lit fresh air from the more weather-beaten fuzz and feedback soundscapes of Nadja and some of his other solo releases. Which is not to say that he has abandoned all things gritty and texturally-touched by the […]
Beta-Lactam Ring Swooping up from the depths of infrasound, Tecumseh bring a faint whiff of glitch and a hint of industrial shiver to the emergent doom on Return to Everything, and the electronics thicken into string-driven rumbling among the encroaching wall of full-spectrum FX. The metal starts to kicking properly as the second track (or movement might be more correct) “Apophis”fills the all-pervading drone with . There is no […]
The Underworld, London 18 April 2011 From the very first beer-waving introduction to the crowd eagerly awaiting the return to what would seem to be their favourite London home from home, Weedeater arrive in cheery mood, lapping up the adulation and ripping straight into a fearsome “God Luck and Good Speed,” as powerful a statement of intent as any sludge-doom-stoner-rock band is ever likely to open a show […]
The Scala, London 12 April 2011 Sabbath Assembly is the rather surprising spin-off from noise-manglers and avant scribblers the No-Neck Blues Band. Surprising why, exactly? Not just because they show that, yes, they are actually good musicians, but that they can also play tight, Seventies-style power pop of the sort which has a solid groove at its heart and an earnestly-sharp, clear guitar raising the rooves, church-band style, […]
Dekorder Branching out into conceptual composition with Ensemble Intégrales, Felix Kubin acted as a sort of central engineer/conductor for this piece, with each instrument recorded live with no overdubs in separate rooms at the Westwerk cultural centre in Hamburg under Kubin’s supervision, and the results edited by him down into the resulting album. As a result, each room sound is almost as important as the tones recorded for […]
Enraptured The most obvious thing to say about Autopia in the first instance is that Eat Lights, Become Lights are unafraid of putting their influences to the fore, wearing them proudly as signposts to a whole series of strands of underground music across the decades, and as with their live shows, their début album takes the hints and explicit quotations and rebuilds them as a thoroughly enveloping gestalt […]
The Lexington, London 19 January 2011
It's a red-light night tonight at The Lexington, north London's finest whiskey bar and excellent venue to boot. Red décor and red lights make for a surreally-flattened visual experience, as if watching tonight's bands during one of the more blood-soaked sections of Suspiria. But there's no gothic horror show from Eat Lights, Become Lights - their take on psychedelic immersion is far more in the Düsseldorf tradition, as befits what is effectively Klub Motorik's house band.
The Lexington, London 5 November 2010 As a night taking its title (Death to Trad Rock) from John Robb‘s book about the Eighties underground music scene in the UK, and held on the 405th anniversary of the gunpowder plot to destroy Parliament, it’s not surprising that there’s an atmosphere of challenge to the status quo (and perhaps especially Status Quo) in the air, though the music is drowning […]
Conspiracy Two oddities from the pacific North-West USA’s favourite oddball ethnodelic forgers of all things conjured up from an alternate world music scene. Side one’s “Themes From The Motion Picture Man With The Green Gloves On” is a slice of solemn gamelan’n’drone in their usual temple of the weird mode, all chimes and rumbling percussion interspersed with feedback and other signs of electronic life. As the drift becomes […]
Beta-Lactam Ring Records It might be thought that with a title like Nostalgia Ever After that Sand Snowman would be revivifying old-school folkies with a penchant for replicating the sound of chiming bells and hippydom sat cross-legged around lava lamps while the bong slowly bubbles over paisley dreams worthy of both Keats and Beardsley; and to an extent, they might be. Or more to the point, he might, […]
Important The second album-length outing from Lesbian finds the self-professed prog-doomsters reaching further into the upper reaches of the psychosphere on a craft constructed from some seriously heavy sounds and equally convoluted musicianship. Lesbian like to rock, they like to soar, and it’s quite possible they’re rising high over the stratosphere right now. Ten parts doom to three parts pomp, Stratospheria Cubensis is a logical component to all […]
Rooster When this album was released way back when, in 1996, it was at a moment when electronic music of all sorts was riding high in the charts and otherwise, and stoner rock riffage as produced by a hirsute quartet from Bristol somehow became buried in a slew of trip-hop releases which were apparently satisfying the attention-spans of dope-smokers everywhere. Meanwhile, guitar rock seemed to have been hijacked […]