Clouds Hill James Johnston often seems omnipresent, having lent his dark twang to the likes of Lydia Lunch, The Bad Seeds, Faust, PJ Harvey and of course his own baby, Gallon Drunk, over the past few decades. It comes as a bit of a surprise then that The Starless Room […]
Alan Holmes
Touch Lustmord has long had an affinity with space, both the sonic space of his heavily dub-inspired soundscapes and the actual physical space of the cosmos. For people of Lustmord’s and my generation, space was our future — where we all expected to be hanging out by the start of […]
Atomhenge Hawkwind will inevitably be remembered for “Silver Machine” — an unlikely (even in 1972) top ten hit — and Space Ritual, possibly the greatest live album of all time. From 1970 to 1973, they were indeed the voice of the underground, the UK’s version of Grateful Dead, had that […]
Esoteric It’s always a daunting prospect to spin a new Van der Graaf Generator album for the first time: will it live up to expectations? Can the group still be vital and challenging thirteen albums and forty-eight years into their “career”? The answers are inevitably a disappointing “no”; and a […]
Drag City Back in 1978, The Mekons were riding high at the forefront of the emerging post-punk movement, only to seemingly miss their chance and disappear from view like so many others from the scene. Their resurrection with a new line-up in 1984 was as unexpected as the new direction […]
18 December 2013 Pantomime season is once more upon us, and the heaviest and most bludgeoning pantomime of all is rolling into town. My first ever concert was Black Sabbath – a scary 38 years ago, and so when a friend who couldn’t make this week’s reunion tour offered me […]
Trost Anyone who loves the sound of Emerson, Lake and Palmer, while understandably being put off by their repertoire should check out Steamboat Switzerland. I saw the group live a few years ago and was mightily impressed by the sheer power of their Hammond organ, bass and drums line-up. Possibly […]
Sosumi The Ruts were sort of our local punk band, coming originally from Anglesey, but apart from the “In a Rut” single, my punk friends and I never really got them and considered them heavy metal… which as about the worst thing you could be back in 1979! Of course […]
Overground Who would have guessed all those years ago that there’d still be a strong UK punk scene in 2013? John Robb has been in the midst of it since the very beginning and The Terror of Modern Life shows that he’s not lost an ounce of his energy since […]
One Little Indian The press release (and CD booklet) draws our attention to Morrissey‘s endorsement of The Woodentops. What’s not mentioned is that although he raved about their debut single “Plenty,” he had already publicly withdrawn his endorsement by the second (or was it third?) single, dismissing the group as […]
The Third Golden Age of Welsh Pop™ shows little sign of abating any time soon. Following his contributions to Cate le Bon‘s two extraordinary Cyrk releases and Euros Childs‘ sunshine classic Summer Special last year, Stephen Black now unleashes his own long awaited fourth album as Sweet Baboo. Originally from […]
Bureau B Bureau B’s mission to ensure that one in every two CDs in the world feature Hans-Joachim Roedelius continues with the most unlikely collaboration of his career to date. Lloyd Cole is best known, in the UK at least, as the man who took a slickly polished dilution of […]
27 April 2013 Out here on the periphery, the phrase ‘sole UK appearance’ instinctively elicits grumpy mutterings about ‘privileged Londoners’… after all, nobody ever does ‘sole UK appearances’ in north Wales!’ But what’s this?… Michael Rother presents the music of Neu! and Harmonia at Helsinki… Tilburg… Krems… St. Petersburg… Wrexham… […]
Mute Mick Harvey‘s official biography says that he “has always thought of himself primarily as a collaborator” – understandable given the success of his collaborations with PJ Harvey, Rowland S Howard and Nick Cave, and in a way, Four (Acts of Love) can also be seen as a collaboration, although […]
Important I first heard Overhang Party via their contributions to a couple of PSF’s Tokyo Flashback compilations back in the ’90s and a CD-R of their second album 2 that cultural commentator Jon Savage gave me around the same time. Since then I have almost completely failed to find any […]
Staubgold It’s unusual to encounter a CD reissue where the ubiquitous ‘bonus tracks’ amount to more than inessential filler. The extras here, taken from the group’s first single and LP, turn out to be far superior to the actual album itself. The good news is that there are no less […]
(self-released) If you have ever longed to hear La Düsseldorf covering The Damned‘s “Neat Neat Neat,” Polly Harvey backed by Wire and Hawkwind (at the same time!) or The Saints fronted by Lydia Lunch, then Art Trip and the Static Sound are the group for you. EP2 (I somehow missed […]
Convexe (N America)/Salvo (Europe) At the end of 2010, the Metropolis television company organized a series of intimate concerts at their London studios, each showcasing a ‘heritage’ act to 140 people, each of who paid £175 for the privilege. Apparently a glass of champagne and a meeting with the artist […]
Future Noise The Pop Group reunion gigs seem to have revitalised Mark Stewart. Rather than basking in the overdue glory accorded his old group, Stewart was straight back in the studio recording his first solo album for four years. The Politics of Envy came out last March, featuring guest spots […]
Alan Holmes speaks to Laetitia Sadier about her second solo album. One of the most played records at our house so far this year has been Silencio, the second solo release by former Stereolab front woman [post=laetitia-sadier-silencio text=”Laetitia Sadier”]. It’s a record that releases its charms slowly, each listening revealing […]