Bureau B Over the past few years, Hamburg’s Bureau B label has released an astonishing treasure trove of music. Reissues of long out of print kraut classics, including much of the enormous [post=cluster-roundup text=”back catalogue of the Cluster family”], now sit alongside brand new work by many of the people […]
Alan Holmes
70 posts
Klangbad The release of [post=faust-is-last text=”Faust Is Last”] a couple of years back seems to have freed up Hans-Joachim Irmler’s creative enthusiasm, his output rate suddenly jumping from Scott Walker to Acid Mothers Temple territory. These two new Klangbad releases are the fourth and fifth new projects involving Irmler since […]
Esoteric Hmmm… a Van der Graaf Generator instrumental album eh? For a supposed ‘prog’ band, Van der Graaf Generator have never really gone in for lengthy instrumental passages, preferring to fill their convoluted songs with Peter Hammill’s densely-packed words. Then again, The Graaf, as they’ve seldom affectionately referred to, have […]
Drag City It’s mandatory when reviewing [post=laetitia-sadier-interview text=”Laetitia Sadier“] to glibly remark on how everything she does sounds a bit the same, so let’s get that bit over to start with. Silencio isn’t sonically a million miles away from 2010’s The Trip, or indeed most Stereolab or Monade releases if […]
Blast First Petite I never saw Kevin Coyne live despite being a fan of his unique work throughout the seventies. With the absence of any UK TV coverage at the time, it was only with the dawn of the internet age that I chanced upon bootleg footage of his appearance […]
Industrial Following the final termination of Throbbing Gristle, the surviving members have revived Industrial Records with the aim of presenting their recorded legacy with all the care and attention it deserves. Each of the studio albums have been lovingly re-mastered by Chris Carter and are repackaged in lovely card sleeves. All […]
Klangbad Klangbad’s series of Spielwiese releases involves label boss Jochen Irmler inviting interesting collaborators to his Scheer studio and simply recording the results. This particular meeting between the frenetic engine driver of eighties period Einstürzende Neubauten and the convivial klangmeister of Faust was always going to provide rewarding results, and […]
Vaultworks Following his return to live performance over the past year, Brian Lustmord’s increased activity shows no sign of slowing down. He has clearly been spending some time in the dusty vaults below Castle Lustmord rummaging for lost treasures and well-matured morsels to toss to his hungry followers. Last year’s […]
Occultation In The Fall and The Blue Orchids, Martin Bramah founded two of the greatest British groups of the punk and postpunk (or indeed any) period. Any man responsible for Live at the Witch Trials and The Greatest Hit could happily retire in the certainty that they had contributed more […]
Occultation Paul Simpson is the Adam Adamant of the music world, a gentleman adventurer awoken from a twenty year slumber to find himself in an unfamiliar world that both disgusts him and spurs him into action. The Coldest Winter for a Hundred Years finds him back to resolve unfinished business, […]
Phantomcode The vinyl version of Cyclobe’s long-awaited follow up to 2001’s The Visitors sneaked out a few months back as a limited edition pressing, but 2011 sees the welcome wider release of a CD edition. The album has inevitably drawn comparisons with Coil; not only did Stephen Thrower and Ossian […]
Optimo Simon Reynolds has a great new book out entitled Retromania: Pop Culture’s Addiction to its Own Past, in which he argues that pop culture has been killed off by its obsession with its own past and that we are now trapped in a mire of tributes, reissues and revivals. […]
Klangbad Listening to new Klangbad releases is like visiting a beer festival – no two releases are ever the same yet none of them are ever less than enjoyable, and many prove quite intoxicating. This month sees two almost simultaneous releases, both by ad hoc quartets that feature Klangbad boss […]
Klangbad Klangbad are having a busy month, treating us to two almost simultaneous releases by intriguing quartets. Bob Rutman’s Steel Cello Ensemble is reviewed elsewhere, and here we have Spielwiese Zwei, the first release by B.I.L.L. This group brings together two of the most respected instrumentalists of the original krautrock […]
Mute One of the hardest-working sidemen of the past three decades, Mick Harvey contributed enormously to the artistic success of both Nick Cave and PJ Harvey as well as the more low profile careers of Crime and the City Solution and Anita Lane. He seems able to turn his hand […]
Llanberis Slate Museum 25 March 2011 to 3 Aril 2011 It was a soul-destroying experience to grow up in Wales back in the seventies in the knowledge that your entire country had only ever produced one single role model of any value. The frustration was further compounded by the fact […]
Dekorder In their download panic frenzy, labels and artists are coming up with ever more ingenious/desperate ways of providing attractive bonus content with their physical releases. It’s common for CDs to feature bonus video content, but as far as I’m aware, this is the first vinyl record to offer bonus […]
Bar-None Even at their peak, The Feelies were not the most prolific of groups, but this fifth album appears almost exactly twenty years after the fourth, making it a substantial wait for even long term Feelies fans. The group’s phenomenal 1980 debut Crazy Rhythms was one of the dozen greatest […]
MVD Audio This document of the reformed Stooges‘ performance at All Tomorrow’s Parties on 3 September 2010, seemingly shows the band to have not lost any of their visceral belligerence in the 37 years since the release of their classic third album. The CD contains versions of all eight of […]
Bureau B After their welcome batch of [post=”cluster-roundup” text=”Cluster-related releases”], Bureau B now turn their attention back to the present, and a brand new album by one of Krautrock’s spiritual offspring. Kreidler have always seemed very much the children of Can with their real time grooves that somehow sounded more […]