Cherry Red “I had to wank off the cat/ to feed the fucking dog” On their…John Peel…members…alcohol…living [if we must] ‘leg-end’…some bollocks about Germanic renderings…millionth…[cough]…returntoformbusinessasusuallwhydotheystillbother [delete as applicable]…wife…relatively…-uh…always the fucking same but fucking always fucking different…fucking… …Seminal: “I had to wank off the dog/ to feed the fucking cat” I very nearly decided to write this review as a review of reviews of The Fall. If anyone from […]
Album review
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Industrial Following the final termination of Throbbing Gristle, the surviving members have revived Industrial Records with the aim of presenting their recorded legacy with all the care and attention it deserves. Each of the studio albums have been lovingly re-mastered by Chris Carter and are repackaged in lovely card sleeves. All the CDs come with a second disc, selecting live highlights from the period of the respective album, along […]
Klangbad Klangbad’s series of Spielwiese releases involves label boss Jochen Irmler inviting interesting collaborators to his Scheer studio and simply recording the results. This particular meeting between the frenetic engine driver of eighties period Einstürzende Neubauten and the convivial klangmeister of Faust was always going to provide rewarding results, and their debut live appearance at the 2010 Klangbad Festival was certainly a highlight of the weekend. No Apologies […]
Essence Music A welcome re-release in lavish packaging for Aidan Baker‘s 2007 CDR-only effort, complete with remastering at the hands of the deservedly legendary James Plotkin. Noise of Silence finds Baker in muttering loopy mode once again, with ominous, faintly mechanical sounds trilling, sussurating and billowing around what could be misinterpreted as the rambling voices heard trickling through central heating systems and fluttering down the chimney stack during […]
Dissociated Press I was originally going to try to write this review in the narrative voice of that Bascule dude from Iain M Banks‘ masterful science fiction novel of nearly the same name, but had a bit of a think about it and decided that a) I really couldn’t be arsed to do all that translating of my own stuff and b) nobody else would be arsed to […]
Malicious Damage After last year’s cosmic collaboration with David Gilmour, [post=orb-featuring-david-gilmour-metallic-spheres text=”Metallic Spheres”], The Orb come back down to earth with a bump for their new album C Batter C. It’s effectively a soundtrack for a film and an exhibition that was held in Brixton in London at the end of last year. But do the separate pieces stand up on their own, without the aid of a […]
Industrial …right, so I’ll get the actual review part out of the way, assuming someone’s reading this from either the perspective of not knowing Throbbing Gristle or is interested in what’s new in this re-release/re-master. This shouldn’t take too long, don’t worry. First – if you don’t know TG, and you’re in any way interested in early industrial music – that is, the variety that wasn’t a pale, […]
La Rose Noire David Lynch is now 65. It’s amazing. Since the release of Eraserhead (once seen, never forgotten) in 1977, his career has seen so many ludicrously high peaks that is scarcely seems possible to précis them; Frank Booth dry humping Dorothy Valens to his climax, an oxygen mask pressed to his face whilst whining “Baby wants to fuck”, all under amniotic Edward Hopper-style lighting; Special Agent […]
Striate Cortex You might not know joinedbywire, but if you do, you’ll probably know them for their exquisite packaging. Their latest is no exception to that rule – it’s an entirely beautiful, apparently home-made, fabric-on-hardcase thing which makes me wonder quite why most CD packaging looks so hopelessly crap – especially limited run or self-released records. I’m not sure if a little .jpg will do it justice, but […]
Industrial OK, having not been born until 1971, I was a bit late to the Throbbing Gristle party. By the time I discovered them in the late 80s, they were long defunct, the mission having terminated several years before. So when they did reform, I was cock-a-hoop (do people still say “cock-a-hoop” anymore?), and by the same token I was greatly saddened by last year’s tragic death of […]
Hippos In Tanks History is a virus. A fifth horseman of the apocalypse. It’s brutal, beyond reason, full of rage and memory; brittle with the fear of being forgotten. It loves and hates it’s host. Nostalgia is a dish served cold and for a long time now people have been struggling against it, trying to reheat old spices (and Old Spices), attempting to blur their way out. But […]
Magic and Dreams In China Mieville’s wondrous The City And The City, the city of Beszel exists in more or less the same space as the city of Ul Qoma. The cities interweave, crosshatch; citizens unsee their counterparts in the other city, buildings themselves merge but don’t merge. Neighbours live next to each other but dutifully don’t notice their proximity, in fact are forbidden from doing so by […]
Rotorelief From the moment Bryin Dall starts singing “I Feel So Lonesome I Could Cry,” it’s evident that this is no ordinary selection of Hank Williams covers. With everyone (and probably their dog) who ever played a guitar seemingly having tackled their own version of the Hank Williams œuvre, Dall’s particular take on the subject matter primarily emphasises the pain and anguish of the songs, wringing every last […]
ReR It’s a curiosity, this one. I don’t know if you’ve seen Paolo Angeli‘s prepared guitar (have a look on YouTube), but it’s legions more cumbersome than the old crocodile clips and ebows that pass for prepared guitar in some circles. Part of me thinks of tacky one-man-bands when I look at it but, luckily for Angeli, the absurd look of his creation is quickly mollified by the […]
Raster-Noton Alva Noto and Ryuichi Sakamoto‘s partnership is nearing a decade now, and it’s odd to think that (from what I remember), the pairing of a laptop and an acoustic musician was quite odd at the time – especially given Sakamoto’s history as a ‘proper’ classical musician. It could be philistine-coloured glasses on my part, but my memory of the early ’00s was that digital musicians and non-digital […]
Southern Lord Oh, Balaclava…can you come into the study for a minute? How are you? Seems like we never talk any more these days! Look…ahem…well. Your mother and I are worried about you. No, look, hear me out. You’re not in trouble, I just wanted to chat, y’know…man to man. And, you really are growing into a man now. It seems long since you were running around the […]
Neurot Do you know where’s an interesting place to listen to this record? A chain coffee shop, in London’s Square Mile, at 8:15 on a Wednesday morning. , off to do important and responsible things. I suspect none of them are listening to Neurosis as they dodge buses on their Boris Bikes – Neurosis don’t lend themselves to this sort of urban drudgery. Not that there isn’t an […]
Black Axis I was never a fan of slow music. I have tried to get a kick out of Sunn O))), and my enthusiasm lasts for a while, but then I get bored. Same again if they have some interesting guests, but usually it never helps. But then I heard Kollwitz and their debut Like Iron I Rust. They really made me open my ears to doomlike music […]