Front & Follow There’s buckets of finely congealed empathy here, beautifully presented. Front And Follow is an unusual, old-fashioned label, not quite made for these times. And thank God for that. This box set is a collection of nie EPs from a host of incredible artists, all working within the confines of some strange call & response routine which sees invited artists submit audio clips into a central pot, […]
album review
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Carrot Top (N America)/Loose Music (Europe) Aptly titled, this latest album from Rennie and Brett Sparks is like a beautiful life sciences lesson. Packed with facts I presume are correct, and I wouldn’t argue with songwriter Rennie’s instructions – one can . The worst beasts being of course ourselves, mankind. The Handsome Family deliver stories in their songs which seem almost always like age-old tales but are cunningly […]
Glacial Movements Aneira appears as one long track, and this time round it’s simply Aidan Baker on his own with a twelve-string acoustic guitar. This is a piece which is far more isolationist than that simple statement might at first appear, as Baker uses the instrument as a sonic generator to produce a whole host of glacial textures and tones. While the sound of steel strings is still […]
Oaken Palace Oaken Palace is a different kind of a label, as for a start it’s a charity, and all profits from each of its vinyl-only releases go to an environmental cause of the artist’s choice. Since Nadja have decided to support Whale and Dolphin Conservation with their album, it only seems right and proper that the LP should be titled Flipper. “Drown” is a melancholic reflection, entering […]
Bureau B Bureau B’s mission to ensure that one in every two CDs in the world feature Hans-Joachim Roedelius continues with the most unlikely collaboration of his career to date. Lloyd Cole is best known, in the UK at least, as the man who took a slickly polished dilution of ’80s indie-pop into the proper charts with hits like “Perfect Skin” and, err… I don’t seem to remember […]
Mute Mick Harvey‘s official biography says that he “has always thought of himself primarily as a collaborator” – understandable given the success of his collaborations with PJ Harvey, Rowland S Howard and Nick Cave, and in a way, Four (Acts of Love) can also be seen as a collaboration, although of a quite different nature. The album comprises a suite in three acts, pieced together from songs and […]
Yesmissolga/Acid Cobra/Lumberton Trading Company Amaury Cambuzat‘s début solo outing as Acid Cobra (while not playing guitar in Ulan Bator and one iteration of Faust) finds him hopping figuratively onto horseback for the opening guitar looper workout “Il y a des Cowboys!” The Western vibes blow dustily into the widescreen soundscape he plays, all descending figures circling like buzzards rising on a thermal to gain height for the annual […]
Rustblade Disc one of Kibako, and “Nigatsu Nijuugonichi”‘s abrasive banquet of blow torch and bruised industry is definitely a room clearer. Lurching around in shifts of attacking energies, fearsome, intense – full of percussive dynamite snipping at squalling hordes. It’s a weird kind of rapture, overwhelming the senses with spiky shards, enforced further by the screaming inferno of the following track “Operation Musashi.” Those clashing hertzological blizzards taking […]
Music For Nations Hi there. Can we talk about Justin Broadrick again? I like talking about Justin Broadrick. What’s that? Hymns remaster? That’ll do nicely. OK, let’s talk! Justin Broadrick has been responsible for more amazing music under more identities and in more bands than I have written pieces praising them, which is quite a lot. Final, Jesu, Techno Animal, Napalm Death, Pale Sketcher… the list goes on, […]
Divine Records This is what Time-damaged sounds like and I’m not sure this is a good thing. I don’t believe the sleeve notes any more than I believe the record. Something is very wrong about this record. Actually, that’s not true at all. In fact, there are too many things that are just right about it. It’s just too… convenient. A quick confession (for most of you this […]
Important I first heard Overhang Party via their contributions to a couple of PSF’s Tokyo Flashback compilations back in the ’90s and a CD-R of their second album 2 that cultural commentator Jon Savage gave me around the same time. Since then I have almost completely failed to find any records by this most elusive of Japanese groups, the sole exception being a copy of their (I assumed) […]
Staubgold It’s unusual to encounter a CD reissue where the ubiquitous ‘bonus tracks’ amount to more than inessential filler. The extras here, taken from the group’s first single and LP, turn out to be far superior to the actual album itself. The good news is that there are no less than 23 of them – swamping the LP proper’s meagre 17 songs and making this CD an invaluable […]
Convexe (N America)/Salvo (Europe) At the end of 2010, the Metropolis television company organized a series of intimate concerts at their London studios, each showcasing a ‘heritage’ act to 140 people, each of who paid £175 for the privilege. Apparently a glass of champagne and a meeting with the artist was also included in this price. The series included Caravan, Barclay James Harvest, The Zombies, Roy Harper, Bill […]
Future Noise The Pop Group reunion gigs seem to have revitalised Mark Stewart. Rather than basking in the overdue glory accorded his old group, Stewart was straight back in the studio recording his first solo album for four years. The Politics of Envy came out last March, featuring guest spots from many of his punk era peers – Keith Levene, Gina Birch, Tessa Pollitt, Richard H Kirk, Youth […]
Handmade Birds Spluttering rupturing, discordantly eviscerating the sounds and tropes of analogue and digital synthesis, Takahe Collage arrives in three parts but leaves music (once again) shredded in to far, far more. The first two pieces, the title track and “Tendeko,” weigh in at around the half-hour mark each, and after a through listen their presence soon becomes inscribed upon the ears like a permanent tattoo. “Takahe Collage” […]
Monotype When listening to noise, collages, field recordings or other kinds of abstract music, new compilations have always been a welcome listen. Mainly as it is usually very diverse, and for me almost never tiresome. The Grief That Shrieked to Multiply is of course not a compilation as such, but a collection of remixes, done by a big number of well known and some unknown artists from the […]
Gizeh/Southern Aidan Baker‘s Already Drowning marks something of a departure for his solo releases, as each piece finds him collaborating with (in this case, women) singers with lyrical inspiration coming from the likes of Angela Carter, Philip K Dick and various folk sources. recorded over the space of two years, it’s also one of Baker’s most assured works in an already impressive catalogue both as a solo artist […]
Cardinal Fuzz For their 2013 contribution to Record Store Day, Mugstar unleash eight tracks (previously available as a tour-only CD) which emerge over the space of two sides of vinyl in an almost continuous mix of muscular psychedelic rock. Each instrumental merges with the next, the fading-out split between each side providing a suitable point to remind any stoners who might just possibly be listening that it’s probably […]