Southern Lord It’s somewhat startling to realise that more time has now elapsed since the release of Winter’s seminal doom metal masterpiece Into Darkness – twenty one years – than had passed since the release of Black Sabbath when Into Darkness first appeared. For a genre as oft derided, sneered at and generally treated with contempt by the mainstream of ‘serious’ musicians, forty years is a pretty fucking […]
Album review
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Ankst Klaus Kinski is a scary man. As scary as Herzog. And also a vampire. I think. (That one was a documentary, right? RIGHT?) You know that guy, right? Opera house in the jungle? Crazy Conquistador dude? Not him. THIS Klaus Kinski is an equally scary proposition, but in a very different way. This Klaus Kinski is a band, only they’re more like a handful of rotting horse […]
Beta-Lactam Ring Swooping up from the depths of infrasound, Tecumseh bring a faint whiff of glitch and a hint of industrial shiver to the emergent doom on Return to Everything, and the electronics thicken into string-driven rumbling among the encroaching wall of full-spectrum FX. The metal starts to kicking properly as the second track (or movement might be more correct) “Apophis”fills the all-pervading drone with . There is no […]
Parallax Sounds Brian Ellis is the guitar player with the band Astra, whose album The Weirding was one of the best of a batch of progressive rock revival albums released last year. It swept majestically over musical fields covered by Yes, early Genesis and King Crimson. On what appears to be his sixth solo release, Quipu, Ellis touches upon and expands on all these elements to make an […]
Sub Pop There’s always a tension going on between artists and their audiences growing up. Back when we first encountered Low they were playing deliberately quietly, persistently black and white. . In a few years we all stopped being so bloody miserable; us, them, everyone. Although God knows there was plenty to be miserable about. Some people went off and had kids. We thought that was the last […]
Nascente Zion Train began around 1988 and was one of the late John Peel’s favourite live bands. Their music was an essential soundtrack to the free festivals and (new age) traveller scene of the early 90s, their heavy dub sound influencing bands like Back to the Planet to add dub flavours into their songs and inventing a whole new sub-genre of ambient dance music. These guys are important, […]
Modisti In 1961, Harold Pinter was in Paris, attending rehearsals for the French production of his play The Caretaker. Pinter’s critical reputation was starting to gain serious traction at this time, and the literary establishment were beginning to write about him as the natural successor to Samuel Beckett in the same way that they had once referred to Beckett himself as the successor to James Joyce. The play’s […]
Crass “Feminism – what happened?” (Eve Libertine). (Writer checks footing on soapbox. ‘Secure? Good. Let’s go…’) This is a ridiculous record. I’ve never listened to Crass before, and I was still the other side of birth when it was released. Ridiculous and offensive, really. But not the record itself. Oh no. It’s brilliant. No-one. Obviously. The problem is that this should, by all reasonable rights, be a record […]
Dekorder In their download panic frenzy, labels and artists are coming up with ever more ingenious/desperate ways of providing attractive bonus content with their physical releases. It’s common for CDs to feature bonus video content, but as far as I’m aware, this is the first vinyl record to offer bonus video footage – on the actual grooves of the record itself! The aptly named Rotary Signal Emitter is […]
Onomatopoeia The Rising of the Lights is a record that feels exceptionally English – if someone said it was some hitherto unreleased Canterbury Scene opus, or some obscure Matching Mole side project, I’d likely not arch an eyebrow. It’s a record that’s indebted massively to Drake‘s tenure in Cardiacs, though a great deal less acerbic and more light and whimsical. The first two tracks particularly shimmer in a […]
Bar-None Even at their peak, The Feelies were not the most prolific of groups, but this fifth album appears almost exactly twenty years after the fourth, making it a substantial wait for even long term Feelies fans. The group’s phenomenal 1980 debut Crazy Rhythms was one of the dozen greatest records of the twentieth century and it was no surprise that it took the group six years to […]
Drifting Falling Kontakte are one of those bands whose music is determined to make all the angst and cares of the world slip away into the place buried far, far away from the territory which they map out with bright-eyed enthusiasm, a landscape participated in through endless journeys and defined by bright colours sharply-defined in broad, dynamic strokes. This is not to deny the hint of melancholia, but […]
Esoteric He is the God of Hellfire, and he brings you FIRE! No really, he does. Back in his 1968 prime, Arthur Brown really wasn’t fucking around. Watch the contemporary Top of the Pops footage of the finest Yorkshireman ever to leave the Dales, his flaming helmet burning like Osiris reincarnated in Manchester, and then try telling me that Alice Cooper – and a whole generation of latter-day […]
MVD Audio This document of the reformed Stooges‘ performance at All Tomorrow’s Parties on 3 September 2010, seemingly shows the band to have not lost any of their visceral belligerence in the 37 years since the release of their classic third album. The CD contains versions of all eight of Raw Power’s songs (in a different order), together with lost single classic “I Gotta Right,” all . This […]
Bureau B After their welcome batch of [post=”cluster-roundup” text=”Cluster-related releases”], Bureau B now turn their attention back to the present, and a brand new album by one of Krautrock’s spiritual offspring. Kreidler have always seemed very much the children of Can with their real time grooves that somehow sounded more precise than machines. Their earlier austere miniatures have gradually given way to more expansive grooves and tonal palettes […]
MVD Audio Where do you start with the Dwarves? Having listened to this album words like offensive and puerile spring to mind; I guess I am a bit older and wiser since I last listened to them. That being said I do have few of their albums in my collection and on very rare occasions when the family are far away and I fancy some mindless political incorrectness […]
Tin Angel Green and grey, the grass and the concrete, the juxtaposition between the natural world and the man-made built environment that must now co-exist with it, ideally in harmony, yet in practice all too often in conflict. Across the 11 tracks contained within, New York-based Canadian cellist Julia Kent builds a beautiful tone poem in which to explore the tensions inherent in humanity’s relationship with the world […]
L.M. Duplication In the early 1980s, Ivo, founder of the 4AD record label (historic home of acts including The Cocteau Twins, The Birthday Party and Pixies, and current label behind Camera Obscura, Ariel Pink’s Haunted Graffiti, Tindersticks and Scott Walker), was given an audio cassette by razor-cheekboned Bauhaus frontman Pete Murphy. Although it was an umpteenth generation copy, and probably sounded like it had been recorded through an […]