Label: Hologram (North America)/Fünfundvierzig (Europe) Format: CD O that wacky Joel Vandroogenbroeck! I am on about my eighth listen to Alchemic Universe and what keeps happening is that I forget it might not mean to be so serious. What a bunch of flexing of the ole keyboards! This is Prophet […]
Album review
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Label: Pagoda Format: CD Having hung out with the Reinforced Records crew, as well as The Future Sound Of London in North-west London while cutting his teeth on the sampler, it’s no surprise that The Rise (AKA Simon Wells) makes the kind of semi-abstracted Techstep Drum & Bass that propelled […]
Label: Beta-lactam Ring Records(US)/Beta-lactam Ring Records(UK) Format: CD If this recording of Edward Ka-Spel and Hero Wouters live in concert in Amsterdam’s noted/notorious Paradiso Club in May 1985 still sounds weird sixteen years later, just imagine what it must have sounded like then. Under a throbbing, scuttling digital percussion send […]
Label: Manifold Format: CD The tentative roughing of the recording – this time out, the sound source is stone. It’s packaged between two sheets of stone. Fucking-a right! Scraping repeats repeats and so forth as other pieces of stone make occasional and spectral appearances. The wow of the feedback moves alongside the […]
Label: Ytterbium Format: CD “What’s that sound?”, from the other room. Brain-wave sounds. Electroencephalograms. “Okay, whatever turns you on…” And so on. I think what he meant to ask was, “What were they thinking when they recorded this?” Which is an incredibly salient point. The sounds come from those brain-waves but what […]
Label: Mute Format: 2CD Neubauten. Yeah, you know, Neubauten. (Somehow, after all this time, it’s kind of easy to forget that there ever was an “Einstürzende” in there at all; we are, indeed, on second-name terms. Thorough familiarity.) Because everyone knows what Neubauten do. They hit stuff, make a racket, […]
Rectangle Bells come ringing and buzzing and oh, that French! It reminds of first listenings to Einstuerzende Neubauten – unsure of what was being said but perhaps something profound…one never knows, so, keep shrugging those shoulders. Irrevocably humourous liner note photographs – salvation in the hovering black angel, the war […]
Label: Geffen Format: CD,LP This album marks yet another, slightly revised, slightly more reflective return in sound for Sonic Youth; all the way back to the rugged melodic scamblings of Daydream Nation. With their amazing capacity for distinction of sound, SY are immediately recognizable from the first stretched note, thoough […]
Label: Quarterstick (North America) City Slang (Europe) Format: CD,LP Calexico are not trying to be subtle in any way with Hot Rail. From the Mexican Mafia gang tatoo font to their immediate delve into Mariachi horns on track one, it is apparent that this is border town type music for […]
Label: Kitty-Yo (Europe)/Mute (USA) Format: CD,LP There’s something extraordinarily contradictory about Tarwater‘s music. At least, that’s what their promo material says. And who am I to argue? Animals, Suns & Atoms opens with a mish-mash of spacey electronics blending seamlessly into the surreal and sinister “All Of The Ants Left […]
Label: Eskaton Format: CDS Immediately the title conjours images of Thighpaulsandra and John Balance driving across the wetlands of Wessex in a peripatetic wagon filled with books and synthesizers. Perhaps this is how this CD was recorded after all – it sounds as if they were spiralling though an electromagnetic […]
Label: Caciocavallo Format: CD It is daunting to say the least to be assigned reviews of one of my most top favourite aritsts. I have spent the better part of a cold day indoors listening to these two albums on repeat and I don’t hesitate to tell you it has […]
Label: Touch Format: CD Richard H. Kirk is one of those electronic music producers who seems content to have found his groove, and stuck with it to good result for years, refining, developing, tweaking his sound palette into variations on themes he long ago helped pioneer in the justifiably lauded […]
Label: Bubblecore (North America)/Payola (Europe/Afterhours (Japan) Format: CD A high-pitched crackle like the malfunction angel coming to take your stereo away. Dulcet bass repetition and skittering percussion make a strange and uneasy juxtapose of quite lovely and what’s-that-noise? A warbling, wobbling sense of trying to move around in the world. […]
Label: Soleilmoon Format: CD Built on a circling foundation of interlocking sampled sequences which shift the initial loop into self-generated patterns of intrinsically chaotic nature, Omphalos! (the navel) has much to recommend it for its hazy, slowly drifting ebb and flow of sound mixing itself into hypnotic strands. With the […]
Label: Touch Format: CD More than just Pan(a)Sonic without the bass oscillations, Mika Vainio‘s second solo outing still bears obvious connections to his work with Ilpo Vaisanen on their last album release under that name as A , a recording which featured moments of unsettling stillness and texture among the […]
Label: Flesh Format: LP This record is to House music what Digital Hardcore is to breakbeat Hardcore. Flesh Records describe themselves as taking “great delight in unveiling the stenched schematics of a long imprisoned beast.” And this is just what they have done. This is dirty and nasty music that […]
Label: Digital Hardcore Format: CD Recorded at the end of an exhausting world tour in November 1999, with Hanin Elias out of action and Carl Crack gone loopy, as the sleevenotes describe Alec Empire and Nic Endo “were finally standing in front of a sold-out crowd of 4,000 people, Nic […]
Label: Smells Like Records Format: 2CD The century may still have about a year left to run through, but Sonic Youth have decided to take time to consider and pay tribute to their ancestral experimental roots on this double CD of less-than rock music. Built in earnestly engaged (but obviously […]
Label: Sub Rosa/Quatermass Format: CD, Limited LP Simon Pyke, AKA Freeform, has shown himself to be one of those producers of electronic music who fails singularly to conform to rigid genres and substylings thereof. He simply seems content to produce music within the formats open to someone with a bank of samplers, keyboards, mixers […]