Riot Season In which New Zealand polymath Campbell Kneale (Birchville Cat Motel, [post=”love-destroy-world-hate-numbers” text=”Our Love Will Destroy the World”], Lugosi, Sunship, etc etc etc) sets about recreating the thunder, chaos and crushing despair of one of World War I’s bloodiest battlefields, using sub-bass guitar drones with occasional percussion and samples. As a bleak and harrowing record, Verdun stands possibly without peer. Sonically, Black Boned Angel owes much to […]
Album review
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Coptic Cat Well, here it is at last, the long-awaited new full studio album from David Tibet‘s ever-shifting collective Current 93. Their first since 2006’s apocalypse opus Black Ships Ate The Sky, it’s quite a departure from that album’s panoramic folk sound. Anyone who didn’t see any of their recent shows may be in for quite a surprise, though it’s a good one. Gone are the delicate crystalline […]
Full Time Hobby It seems like only a few months ago that there was an ill-fated, though entirely well-intentioned, campaign on popular young people’s stalking tool Facebook for Malcolm Middleton‘s cheery doom and gloom singalong “We’re All Gonna Die” (from the album) to be the Christmas number one. Actually, it was about eighteen months ago, but in that time the lad from Falkirk’s been busy, with another album, […]
Southern Lord Black Cascade, the third album from Wolves In The Throne Room, is truly epic stuff, clocking in at four superb monolithic compositions. For me it ticks all the black metal boxes: big guitar riffs, big keyboard parts, triplets galore, and tempos that run from the majestically slow to death blasts and back again. Black Cascade is symphonic, but not as furious as, say, Emperor. Nor do […]
Holy Mountain Restraint is not a word you usually associate with psychedelia. “Excessive”, yes, “silly”, perhaps, but “restrained”? Nonetheless Dos, Wooden Shjips’ follow-up to their 2007 self-titled album, is for the most part a very restrained psych record. On each of the album’s five expansive tracks the bass and drums are pared back to a hypnotic krautrock throb, and while the guitars enjoy a few overblown wigout moments […]
Interlink Audio Berlin-based Artridge, self-proclaimed purveyors of post-industrial chamber music and imaginary soundtracks, are back with a new full-length CD on German label Interlink. With a four-year gap since their previous album, Artridge have developed a knack for effortless eclecticism and a talent for lush orchestration. This all-instrumental CD takes in elements of krautrock, trip-hop, metal riffing, soundscapes, jazz, gentle breakbeats, and even a touch of the blues, […]
Label: Sonic360 Format: CD;CDS/12″/Digital Download Mockery is the breathtaking début album from Littl Shyning Man, a.k.a. Christopher Haworth, which was originally released in 2005. To me it struck a chord with Mothlite‘s The Flax of Reverie – a huge symphonic sweeping spectrum of style: a mixture of electronics and instruments, frantic modernist string pieces, vocal harmonies, spoken word, raw buzzing noise, drum and bass joins folk in a […]
Label: Rise Above Format: CD,LP Flute-tinged witch rock debut from Toronto’s Blood Ceremony. These days a lot of metal bands head straight for the big Black Sabbath riff, slow it down, and just stay there. However, I don’t think Blood Ceremony are too interested in what lots of metal bands are doing these days. They look back to the era of bands such as Coven, Affinity, and Black […]
Label: City Slang (Europe)/ Ernest Jenning Record Co (USA) Format: CD O‘Death’s stated intention with Broken Hymns, Limbs and Skin was to capture the energy of their live sets on record, and anyone who has seen one of O’Death’s riotous shows will know that this is a hell of a tall order. The resulting album is a gypsy stomp barn burner, a chaotic celebratory oom-pah punk sea shanty set to […]
Label: ATP Recordings Format: CD Fuck Buttons are fucking great. They are Bristol-based Andrew Hung and Ben Power. Their début album is superb – a huge wall of big buzzing electronic drones with more distortion and screaming vocals that your average stoner/doom metal band. Unlike some (most?) noise electronica though, there is much more to Fuck Buttons than a wall of noise for noise’s sake. Using an eclectic collection […]
Label: Beta-lactam ring Records Format: CD I dunno quite what you call the sub-genre of music which seemed to spring fully-formed from the head of Lee Hazlewood a long time ago before being kicked into touch by the punks and goths, but you know the one I mean. It’s got the Bad Seeds, Gallon Drunk, Tindersticks, Crime And The City Solution and other such magnificent acts in it, and […]
Sounds Familyre With a name like Wovenhand, one could be forgiven for expecting some sort of pagan/folk metal malarkey – you know, that whole portmanteau word thing, like Skyclad or Dragonsbum or something. When you learn that the reference is to hands woven in prayer, however, the picture changes somewhat. Perhaps something a little more fragile, more intimate… Then you put the thing on, and all these preconceptions […]
Label: TeePee Format: CD,2LP Earthless rock. Earthless know that rock isn’t found in the middle of the verse or tucked away politely in the corner of a chorus. Earthless know that rock is huge tube driven distorted excess. And that’s exactly what they did at Roadburn. One and a half hours of primal solo and riff on the main stage of the Roadburn festival. It wasn’t a gig they […]
Frenzy of the Absolute, by Belgian drone master Fear Falls Burning, is one of the sparsest and most haunting collection of drones it has been my pleasure to hear. It’s big, and sinister, and oppressive, and intensely doom laden. This is the first I’ve heard of his work, and I can see that I’ve been missing something rather special. On Frenzy of the Absolute he works in collaboration […]
The End Skin Turns to Glass is epic stuff, I love it. Huge shoegazer doom from Toronto-based duo Nadja, who began as a solo project of Aidan Baker. In 2005 Leah Buckareff joined him allowing them to leave the studio and go live, though this album was originally released in 2003 in a slightly different version with Buckareff on bass and vocals. Between them they make a sound […]
Label: Southern Lord Format: CD,2LP Boris love to surprise, and the opener “Flower Sun Rain” does just that. They go straight for Jpop in the form of a cover of a PYG song. My surprise came at All Tomorrow’s Parties seeing Earth, Boris, then SunnO))) and, reasonably enough, expecting a good wall to wall evening of drone and just not getting it: country doom, ballads, and on stage […]
Southern Lord The progression from early Earth to modern Earth makes perfect sense, to me at least. Behind the change from dirty droning guitars to country doom, Earth retain a distinctive quality. The sound has changed, and the lineup has changed around Dylan Carlson, but the quality remains: a slow slow moving riff looping round and round, seemingly going nowhere, and catching you out when you start to […]
Southern Lord Before Sunn O))) there was Burning Witch, formed in the mid ’90s by Stephen O’Malley and Greg Anderson, although none of their recordings actually features Anderson who had started Goatsnake by that time. Crippled Lucifer is a reissue of their 1996 Towers… and 1997 Rift.Canyon.Dreams releases – two discs of fabulous doom. This release of Crippled Lucifer is expanded from the 1998 Southern Lord edition (subtitled Seven […]