Empty Birdcage Regular improv collaborators Daniel Thompson and Colin Webster have released this live set from September 2020 to give the uninitiated a glimpse of their playing relationship and the way that differing viewpoints lead to surprising interactions, veering from placid waves to more frustrated and awkward splashes.
Album review
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Happy Robots The oval oddness of Anaphora’s opener “Pilomotor Reflex” are ace, reversed shivers cerebrally nibbling slowly, beaconing out on a delightful Kraftwerkian romance (minus that detached chill). A dance of chameleon-like shapes that fluidly viper that dry percussive, an agitated softness for that anti-capitalist narrative to dagger deep, tangle favouringly with your reason. Political / cultural arrows that empathetically grenade throughout the whole of this album, nestled in […]
Discus For French singer Carla Diratz‘s latest album, she has enlisted two of the Discus family to conjure some surprisingly diverse soundscapes for her smoky, timeworn vocalising. Both Martin Archer and Nick Robinson are hardy veterans, capable of providing the perfect backdrops and these veer from the gentlest of piano laments to forceful, driven, post-prog whirlwinds. In fact, the opening two tracks show the full range of their […]
Constellation When the first Light Conductor album was released, I remember considering that it would be a suitable one-off experiment and that an attempt by Jace Lasek and Stephen Ramsay to follow it might be folly; but I am really pleased to say on the strength of Sequence Two, it was a wise decision as there is much more ground for them to cover. This time, spread over […]
Constellation As with many artists, the genesis of Jessica Moss‘s fourth album occurred during lockdown and it acted as a means of working her way through the enforced isolation. Judging by her previous offerings, the sense of remove and the overwhelming melancholy is something to which her violin sound is suited; but on Phosphenes, it is as if the bar were raised and the immersive sensations of solitude […]
Geophonic The packaging for the latest Aperus release is a thing of beauty, containing a number of glorious weather photographs selected at random from Brian McWilliam‘s well-curated archive. Thankfully, the sounds contained within live up to this lush presentation, channelling the spirit of Covid as well as the New Mexico mountain fires which were delivering smoke to Brian’s back door. As you can imagine, these disturbing events have […]
Sulatron Dave Schmidt AKA Sula Bassana invites us yet again into his personal cosmic world with his very own inventions for electric guitar. This album was recorded over three nights and expands Sula’s ever shifting psychedelic sound, using only a very basic setup of instruments to keep the mind focussed on the universal otherness.
One Little Independent Not only did Poppy Ackroyd have to contend with Covid around the writing of her fourth album, but the birth of her first child also coincided with the process. As you can perhaps imagine, on the strength of that, the album runs through a full range of emotions from thrill and ebullience to concern and introspection. Although the album is solely piano based, using the […]
Sulatron This is a live set by Electric Moon and Portuguese band Talea Jacta, recorded at a club in Lisbon pre-pandemic on 20 September 2019, when these kind of things were a lot easier to arrange. In that respect it is a document of a freer time when music flowed without boundaries or isolation.
Rose Hill As the album title would suggest, this is a Solstice recording made by God’s Teeth And The Interstellar Tropics at The Old Market Theatre in Brighton in the pre-covid bliss of the winter of 2019. A three-track recording that attempts to untangle your subconscious on a lysergic lance of percussive mis-shapes and vocalised abstracts, with a lovely Angus MacLise sensibility that floats on Karl MV Waugh’s […]
All Saints Laraaji was discovered by Brian Eno in 1979 while he was playing in Washington Square Park. At this point Eno had moved to the US and was in the process of working on his Ambient series of albums and label that had started with Music For Airports. Laraaji’s release would be Ambient 3: Day Of Radiance and was be released in 1980; it is the only […]
Zonedog For Under Triple Suns, Jan Gleichmar‘s Disrupt finds itself abandoned far from home, heading through the upper atmosphere, stretching and randomly steering through the sparsely lit sky amidst the rumble and flash of multitudes of unseen objects. The sound of freefalling against the background drone that opens the album contains a sense of helplessness. A voice appears telling us that “you have suffered minor head trauma” and […]
Discus Jan Todd‘s third outing as Frostlake finds her appearance as part of The Orchestra Of The Upper Atmosphere lending a warmer and more open feel to this double-length collection when compared to the icier, more dramatic Ice And Bone from 2019. There is a lightness and an airiness to her voice this time around that brings to mind the first shoots of spring bringing to an end the […]
Greyfade Christopher Otto has clearly read the twentieth century composer’s guide to nicking ideas from the East, and leans heavily on knowledge of just intonation. But this debut release isn’t one of those superficial “exotic” borrowings (when do we get to lay into Terry Riley for that, by the way?) and probably has more to do with the kind of tonal particularly of Horatiu Radulescu than any mid-twentieth […]
Honest House I really miss the heyday of the kind of muscular, sinuous post-rock that was plied by the lies of Shipping News and June Of 44. Thankfully for me, the twin bass guitar-led Delwood have stepped into the frame and their first outing is a real winner. The idea of two bass guitars has me thinking firstly of Rothko and then of Girls Against Boys, but Delwood […]
Bellissima It was only a matter of time until Katharine Blake (Miranda Sex Garden and The Mediæval Bæbes) and Michael J York (Téléplasmiste, The Utopia Strong, Current 93 and Coil) would conjoin a bewitching whole, gather a few musical friends into the equation to produce this haunting debut that gathers the periphery around you in a stretchy equilibrium.
Crammed Discs The latest Aquaserge release is yet another unique addition to their intriguing canon of work. Expanding the band to a nine-piece here, they have drawn inspiration from four contemporary classical composers; but rather than retreading those steps, they have chosen to expand on the original ideas, tailoring them to suit their own sound in its inimitable glory and reflect something modern back to the mid-twentieth century.
Important Imagine, if you will — you are driving through a vast flat featureless landscape. It is snowing so hard you can barely see, spirals of snow and frost whorling on your windshield. The ground undulates, ever so slightly, the rise-and-fall the only hint of motion, of any life at all. The swells come together, faster and faster, higher and higher, until the frost-bitten landscape becomes like a […]