Play Loud! Crack opens with the kind of psychedelic rock that has seemingly existed since the dawn of time (or somewhere around 1972) in all corners of the known universe. Or perhaps Berlin in the case of Glen, a quartet who like to slather their effects on the guitar, bend and fluffle its strings and set the controls for the heart of whatever planet they are tripping to […]
Album review
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Thrill Jockey The classic idea of the sort of band that one might expect to find on Thrill Jockey seems to be blown apart with every new release. Iowa City’s Aseethe are a great case in point with their second album for the label upping the heavy ante to monolithic proportions.
Play Loud! Filled with a plethora of recursing rhythmic elements, the mournful voice of a soul in non-specific agony (perhaps), scraping on an atonal violin while the rattle of snares and toms lurches across woodblock clacks, cuckoo-clock chimes
Rock Action As far as I am concerned, Luke Sutherland has been away from producing his own music for too long now. After helping to create the blood-rush post-rock of Long Fin Killie to the dreamy trip-hop of Bows and the pan-European Music AM, he wrote some delightful novels and then disappeared into the welcoming bosom of Mogwai. Until now…
Va Fongool In her bid to subvert the sound of the trumpet and meld it into something that is purely her own, Hilde Marie Holsen has teamed up with synthesizer artist Magnus Bugge as Bilayer to generate an album’s worth of esoteric and other worldly soundscapes. If you are lucky, you may recognise the sound of her primary instrument here and there, but often it is disguised
Cherry Red / MVD Entertainment / New Ralph Too In Early Modern English – the transitional phase of the English language from the Middle English of the late fifteenth century to the Modern English of the mid to late seventeenth century – the mole was known as the “mouldywarp”. Could there be any more Resident-like a term for anything than a mouldywarp? Indeed, there could not; moles were made for The Residents […]
Spècula A serial collaborator, Teho Teardo has been releasing music for the last thirty years, both as a member of various bands and also as a solo soundtrack composer. Max Porter‘s Grief Is The Thing With Feathers, a book that has been adapted for the stage, directed by Enda Walsh, is a tale of sorrow and loss and for this album, Teho has reached deep inside himself to […]
Unrock So. A curio from the world of, uh, alt-world music? No, that’s entirely ridiculous and not a little bit condescending as fuck. What’s holding this split release together? Superficially, it’s all faintly “esoteric” or something like wonky improvisations writ with pan-Arabic influence but, uh, frankly there’s not a great deal in common musically with the two sides of Carte Blanche
Border Community Leafcutter John‘s latest comes with a stylised map of the east coast of England, and places that we can visit from where he has taken some of the samples used in the construction of the seven tracks here. It is a great idea and somehow, along with the brief descriptions John provides of the circumstances surrounding the pieces, it feels as though we could almost be […]
Not Applicable Sam Britton, the polymath behind Isambard Khroustaliov, originally trained as an architect, but was swayed into electronic composition early on and has been recording for the last twenty years or so, often in collaborations. The likes of percussionist Maurizio Ravalico and trumpeter Tom Arthurs have crossed his path recently, but here on This Is My Private Beach, This Is My Jetsam, we have the sounds of […]
Frequency Domain For the second volume of Partials, only a couple of the artists from the previous release make a return visit, leaving the way open for plenty of fresh artists doing their bit for this fantastic cause. Once again, it is a real chill-fest, the majority of tracks happily nestled into the drifting ambient side of things, with only a few adopting beats and allowing the vibe […]
Faustus It’s not often you encounter a record as wonderfully diverse and sonically satisfying as this one by relatively unknown (to me at least) London duo Daona. Every single moment of this gem sparkles with conviction, eats into your consciousness
Constellation The latest release from Efrim Menuck finds quite a dramatic change to the sound we have come to expect from him. Teaming up with Growing‘s Kevin Doria has seen a move away from the kind of grandiose string arrangements of Godspeed You! Black Emperor and A Silver Mt Zion, and more of an embrace of the kind of slow moving, subtly evolving guitar soundscapes for which Growing […]
Saustex It’s a band you know, but not for being this band. And their press thingy doesn’t mention that previous band. So I’m not going to either.
Svart By the looks of the duo on the back of the cover and the long list of electronic machines that Timo Kaukolampi plays listed on the inside, with Tomi Leppänen having just drums and a Juno, I figured maybe K-X-P were some sort of twenty-first century take on Silver Apples. I was not too far off the mark, but the vocals that appear on IV are buried […]
Blue Tapes Henry Plotnick‘s excursion on Blue Tapes from 2014 (when he was thirteen) is a meditative collection of pieces that are about slow build, decay and regeneration. Over the course of an hour and six tracks, Henry shows his abilities with a wide variety of instruments and atmospheres that makes for an intensely satisfying, if at times bewildering, collection.
Kscope “All art is solitary and the studio is a torture area” – Alexander Liberman. There is a certain type of melancholia about Giancarlo Erra’s Ends that has its roots in a very British and American form of ambient music. It is that rare thing that manages to capture the beauty and the sadness of a place, and Ends also offers the sense of memory and moments past […]
Truant For Kinbrae‘s second album, the brothers Truscott have chosen to weave an aural tapestry of the River Tay. It serves as a kind of love letter and story as to the impact the river has had on their lives, and their interactions with the surrounding landscape. Newly started label Truant has issued this on lovely 12″ vinyl with dramatic photographs on the inner sleeve