Important Warning: much tl;dr within. Minimal squee. Tread ye carefully. Initial thoughts on Anthony Burr and Charles Curtis‘s Chamber Music CD were something like: why would you put those two together? It’s an odd pairing. People really fall in love with Morton Feldman. He makes, at turns, utterly inscrutable, glacial, cold, dark, wrecked music that’s not so much impenetrable as it is a funeral for tonality. But note […]
Alvin Lucier
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