(Southern Lord) What We All Come to Need is Pelican‘s first full length release on Southern Lord and and continues their elusive path of powerful instrumental rock. Southern Lord have also announced a tour with stable mates Wolves in the Throne Room, which has the makings of some must see gigs. Two fantastic but very different bands. What We All Come to Need is a superb album. At […]
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Thrill Jockey Are Tortoise feeling their age? Beacons of Ancestorship, their sixth album and first album proper in five years, is littered with references to age. Ancestorship is a reasonable pointer, with Tortoise being the ancestors of course. And the title “Prepare Your Coffin” is pretty explicit. Not that Tortoise are letting it show musically. Beacons of Ancestorship kicks out into a noisy fuzz-fest at points. It was […]
Midwich Records Ellen Mary McGee, founder of folk-rock band Saint Joan, has created a short but magnificently intense début album with The Crescent Sun. Its a dark lyrical collection of folk songs written, sung, and largely performed by McGee. She plays guitar, banjo, glockenspiel, drums, percussion and drafts in the help of other musicians ranging from organists to electric guitarists, which takes folk music into fascinating territories. At […]
Southern Lord Black Cascade, the third album from Wolves In The Throne Room, is truly epic stuff, clocking in at four superb monolithic compositions. For me it ticks all the black metal boxes: big guitar riffs, big keyboard parts, triplets galore, and tempos that run from the majestically slow to death blasts and back again. Black Cascade is symphonic, but not as furious as, say, Emperor. Nor do […]
Nadja Bardens, London 22 March 2009 Having missed Nadja in 2008 I was on a mission to get to Bardens in Dalston. Despite the whole of East London being inexplicably gridlocked this particular Sunday evening, I wasn’t going to miss Nadja a second time. Fighting my way through the traffic was worth it, Nadja were awesome. Standing either side of a table of effects pedals, Aidan Baker and […]
A Slow Rip – For The Time Being Endgame For The Time Being is a double CD compilation of ambience, taken from material originally released between 2004 and 2007 by A Slow Rip on 7 CDR albums. The Wollongong based trio take the name from the initials of their first names: Rob Laurie (guitar, percussion, vocals and wind instruments), Ian Miles (analogue synths, guitar and bass), and Phil […]
Southern Lord Before Sunn O))) there was Burning Witch, formed in the mid ’90s by Stephen O’Malley and Greg Anderson, although none of their recordings actually features Anderson who had started Goatsnake by that time. Crippled Lucifer is a reissue of their 1996 Towers… and 1997 Rift.Canyon.Dreams releases – two discs of fabulous doom. This release of Crippled Lucifer is expanded from the 1998 Southern Lord edition (subtitled Seven […]
Label: The Grey Area of Mute Format: 2CD Ah, Industrial music before the word Industrial became synonymous with Heavy Metal! Earlier/Later is the second album of Richard H Kirk‘s archive tracks from The Grey Area of Mute, the first being Digital lifeforms Redux in his Sandoz guise. As with that album’s second disc, this compilation contains previously unreleased material, including a cover of Can‘s “I Want More” which […]
Label: The Grey Area of Mute Format: 2CD Digital Lifeforms Redux is a reissue of work originally available on Touch from Richard H Kirk, the electronic half of Cabaret Voltaire. Unlike the Early/Later compilation simultaneously released by The Grey Area, this album represents a specific moment in time: the years 92-93. It is less representative of his work in Cabaret Voltaire, not that an Richard H Kirk album […]
Label: Matador Format: CDS,12″ Taking as its sample base the sounds of plastic surgery operations, “California Rhinoplasty” does precisely what the title describes; only funkily. Not for Matmos the obvious route of ambinece as the bones rasp and the noses are broken with a hammer. Instead, every sound becomes grist(le) to their sampler’s mill to make a groovy shuffle of sprightly plops, squeaks and chugging bass. Part of […]
Label: Matador Format: CD,LP In their latest album Matmos use the bone crunching noises of plastic surgery for their samples. So if you’ve had a nose job be warned, Matmos might have transformed the noise of your nose being broken into a snare. Well, here it is … A Chance To Cut Is A Chance To Cure is a collage of sound recorded in clinics and operating theatres. […]
Touch Format: 2xCD To call Substrata a good album is an understatement. It has been described as one of the finest Ambient albums of the Nineties. As far as I’m concerned you can scrub out the bit about the Nineties. Biosphere, a.k.a. Geir Jenssen from Norway, has created some of the most amazing Ambient music I’ve heard in a very long time. Substrata is an album to play […]
Label: MDZ Format: LP Here’s a House record with a difference – the tracks are based around a real drummer and bassist. This isn’t to say that Upper Disker should be listened to for the difference, it should be listened to for the music – which is something Oh. do very well. They didn’t give the track “We Rock For You” it’s name for nothing. The five guys […]
Label: Flesh Format: LP This record is to House music what Digital Hardcore is to breakbeat Hardcore. Flesh Records describe themselves as taking “great delight in unveiling the stenched schematics of a long imprisoned beast.” And this is just what they have done. This is dirty and nasty music that comes in some of the most rotten, unstable, and schizophrenic forms imaginable. Moments of nice funk are brutalised […]
Label: Matador Format: CD I respect any album that contains references to Harry Harlow‘s somewhat cruel tests on Rhesus monkeys. The album is Quasi-Objects by Matmos, and the track is of course “Cloth Mother/Wire Mother”. You may not be surprised to find that the baby Rhesus monkeys preferred the cloth mother to the wire mother. What is more surprising is the fact that someone felt the need to […]