It has been seven years since Building Instrument's previous album, not that the three members have been quiet in the downtime. Mari Kvien Brunvoll was involved in last year's Barefoot In Bryophyte, while Øyvind Hegg-Lunde has been involved with Erlend Apneseth and Electric Eye, among others; but when they and Åsmund Weltzien reconvene with their combination of glockenspiel, electronics, subdued beats, found sounds and dreamy vocals, you know that there is magic in the air.
Building Instrument
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Hubro If there’s a defining quality to modern life – and hence to contemporary music – it’s perhaps hybridism. Everything which has come before has never been as accessible as it is now, and like those innumerable monkeys who’ve been toiling away at recreating the works of Shakespeare, humanity seems to be intent on taking the sum of its knowledge and slotting it together again and again in […]