Christopher Otto

Greyfade Christopher Otto has clearly read the twentieth century composer’s guide to nicking ideas from the East, and leans heavily on knowledge of just intonation. But this debut release isn’t one of those superficial “exotic” borrowings (when do we get to lay into Terry Riley for that, by the way?) and probably has more to do with the kind of tonal particularly of Horatiu Radulescu than any mid-twentieth […]