...here we have a compilation of artists that maybe seen on the periphery in some cases, but were equally as important to shaping the sounds of the era, and some even having a greater influence on the German underground music that followed than the bigger bands.
Faust
31 posts
Zappi Diermaier did a good job with Daumenbruch and continues to play to his percussive strengths on this latest faust fragmentation for Bureau B.
It’s hard to believe both these albums — which first appeared as unearthed archive material as part of Faust‘s epic 1971-1974 boxed set in 2021 — stem from the early seventies; they feel so startlingly modern, totally out of touch (in the best way possible) with the music of the time.
Erototox Decodings On the shirt tails of Zappi Diermaier’s recent solo project Monobeat Original comes this exciting take on faust. A primal purr that, I suspect, seeped into the series of rough mixes that Zappi, along with Schneider TM’s Dirk Dresselhaus and FaUSt’s Elke Drapatz produced, then sent out to the a host of Berlin-based collaborators to re-furnish.
London, 15 November 2021 The sense of anticipation was immense, bathed in a blue haze, monitors staring out of it like Ewok eyes, the stage remaining empty as the words “Dream the name and I will answer to it” breeze in, tantalised in sparse flickerings and occasional birdsong roughed by the distinctive rub of a cement mixer.
Here we are then, a big ole' retrospective of Faust's... if not golden era, then certainly their best-known stuff. "Canonical" krautrock. And of course krautrock is a silly term at its silliest in reference to Faust -- the German band featuring least Germans, singing in French and English and German
Announced today by Bureau B: This box is the first virtually complete collection of FAUST works from the years 1971-1974. In addition to the debut album referenced by Morris, it includes the 1972 album So Far, the legendary 1973 Virgin UK release The Faust Tapes (“Some chose to play frisbee with the LP, others said it changed their lives” as Jean-Hervé Peron noted), Faust IV and, for the […]
London 14 September 2019 After a tortuous journey through London and around the building site that is Hackney Wick at the moment, we find ourselves standing outside Studio 9294, one of the many curious venues that Baba Yaga’s Hut uses for its shows. Steel shuttered doors and a street art facade lead us into the concrete bunker that is serving the three bands tonight.
Bristol 1 December 2017 Tucked in to the stage edges, Modulus III were a threesome of dual synthesizer drums and the rub of a cello, they cruised through some lovely motorik hypnotics. Musically siphoning their inspiration from a multitude of ports, but safely jutting out of entrapment, they notched up plenty of fireworks.
Bureau B I think the first thing that should be mentioned about this record is the press release. Breaking all form and convention, it’s readable, witty, descriptive and — get this — actually tells you some information about the record.
St John at Hackney, London 5 December 2015 It’s beginning to feel a lot like Christmas: illuminations strung across the lampposts of the capital, sparkling every night like twinkling stars; the inky darkness of the night already setting in by mid afternoon; overflowing trays of “luxury” mince pies everywhere you look. And – really – what says “Christmas” more than a Faust gig?
Bureau B After the joys of Something Dirty comes this new nugget of curiosity from the Péron/Zappi side of the Faust spilt. Entitled j US t (clever typographic minimalism for Just Us), it’s a twelve-track sketchbook of improvised flavours and some full-bodied wallop that Faust say should be taken, absorbed and remixed into your own musical endeavours. There’s certainly plenty of fertile nooks and crannies to get your […]
Clouds Hill On the many occasions I have seen Faust live over the last years, the original krautrockers have played many favourites and songs from the ’70s classics, although mixed with some improvisations. But other times they grasp the opportunity to collaborate with other artists, letting them colour the expression, or even get a feel for a different setting creating new fresh music. This time it is the […]
Play Loud! Although this DVD was released in late 2010, the footage — shot at the second annual festival held in Scheer, southern Germany — dates from 2005. Scheer is a small provincial town that since the late 90s has been the headquarters of Faust (or rather one of the two Faust factions, this being the one grouped around keyboardist Jochen Irmler and the Klangbad label). There are […]
Bureau B Ok, as most of the people reading this will know Faust were one of the most important bands of the 1970s Krautrock movement and have an incredible important body of work behind them. Also at this moment in time there appears to be two Fausts, so this is Jean Hervé Péron and Zappi W Diermaier’s Faust aided and abetted by Gallon Drunk‘s James Johnston and Bender’s […]
Klangbad Faust were the most radical and baffling of all the 70s German groups to acquire the ‘krautrock’ label. Their music was only tangentially related to the likes of Amon Düül, Can, or NEU! – on the group’s early albums, musique concret, tape loop experiments, folky guitars, parping saxophones, proto-industrial noise and impenetrable dadaistic lyrics all rub up each against each other in an endlessly fascinating musical and […]
Pop Montréal, Ukrainian Federation, Montréal 3 October 2009 The gathering krautrock-keen fans filled both levels of the seated, community-centre vibe auditorium known as the Ukrainian Federation which has hosted the likes of Patti Smith, Joanna Newsom, Loudon Wainwright III, and A Silver Mt. Zion. For Faust’s first ever show in Canada, heralding their entrance, Jean-Hervé Peron started by squawking and squealing on a trombone from the back of the […]
Salamander The Schiphorst 2008 CD is a live album, recorded at the festival held quite literally in the rural backyard of founder member Jean-Hervé Péron, and is as ramshackle as you like. The tone is set by the packaging, which successfully conveys a flavour of the event – the front cover photo depicts a microphone struggling for visibility amid dense clouds of stage smoke, and elsewhere in the […]