SPV It’s a strange feeling to be reviewing the last-ever Klaus Schulze album. Since 1981, I have been a follower of his work after after reading that he was connected to Tangerine Dream, who I was a massive fan of at the time. From that first listen I understood that […]
Gary Parsons
259 posts
Wedge I saw one of Tinariwen’s earliest London shows. It was an exotic mixture of West African sounds and almost Jimi Hendrix guitar motifs blended together to cast a spell over the audience that sat there that night. So here I am, twenty years later, discussing some of the bands […]
Play Loud! The Buchla 100 series is a modular synthesizer designed by Don Buchla in the 1960s. The instrument was championed by Suzanne Ciani, whose name, among many others, became synonymous with the instrument and what looked like a complex way you had to programme it.
London 22 March 2022 The original Penguin Café Orchestra was formed in 1972 by guitarist Simon Jeffes and cellist Helen Liebmann. They released their first album in 1976, produced by Brian Eno and released on his Obscure Records series of recordings, and the band gave its first major concert in […]
Sulatron Dave Schmidt AKA Sula Bassana invites us yet again into his personal cosmic world with his very own inventions for electric guitar. This album was recorded over three nights and expands Sula’s ever shifting psychedelic sound, using only a very basic setup of instruments to keep the mind focussed […]
Sulatron This is a live set by Electric Moon and Portuguese band Talea Jacta, recorded at a club in Lisbon pre-pandemic on 20 September 2019, when these kind of things were a lot easier to arrange. In that respect it is a document of a freer time when music flowed […]
All Saints Laraaji was discovered by Brian Eno in 1979 while he was playing in Washington Square Park. At this point Eno had moved to the US and was in the process of working on his Ambient series of albums and label that had started with Music For Airports. Laraaji’s […]
London 13 November 2021 It feels very strange returning (and especially reviewing) live music again after nearly a two-year absence. Some things have changed, but much was the same as before. The big thing was the crowd reaction; and starved of live music for so long, people seemed hungry to […]
Spheric Music Robert Schroeder began making albums in 1979, being one of the artists on Klaus Schulze’s Innovative Communication label. He produced six wonderful albums for IC, including the mesmeric Galaxie Cygnus-A. He has produced a large body of electronic music over the last forty-two years, always pushing boundaries using […]
Bureau B Conrad Schnitzler is one of Krautrock’s founding fathers; he was part of the original line up of Tangerine Dream along with Klaus Schulze and he was an original member of Kluster, who renamed themselves Cluster after his departure. Schnitzler’s work straddles the line between avant-garde pieces to cosmic […]
Sulatron Before I discuss the music, I have to say what an incredibly beautiful re-release this is from Sulatron Records. Not only does Mind Control: The Ultimate Edition look wonderful in its yellow and black splatter 180-gramme vinyl, but it sounds fantastic as well (also available on two CDs with […]
Eastgate Music and Art In the past couple of years, us Tangerine Dream fans have been rather spoilt by the amount of high-quality historical pieces and releases that have come our way. First of all we had the beautiful edition of Edgar Froese’s biography, Force Majeure, a mammoth book that […]
Eastgate / Cupdisc In the past couple of years or so, Tangerine Dream, featuring Thorsten Quaeschning, Ulrich Schnauss and Hoshiko Yamane, have released five improvised albums dedicated to TD founder Edgar Froese. These have been primarily live recordings made in 2018 during the band’s tour and have had more in […]
Munster This is the first vinyl reissue of Tim Blake’s debut solo album in over forty years, and Munster has given Tim’s work the respect it deserves. The records are beautifully pressed on 180 gramme vinyl, and not only do you get the original album in all its glory, but […]
Opal Compilations can be rather odd releases, especially ones that cover a large period of time. Normally tracks jar against each other as the artist refines their music and even change styles. This is not the case with Film Music 1976-2020, where Brian Eno’s work seamlessly melds together to give […]
Virgin After 2019’s monumental In Search Of Hades boxed set covering Tangerine Dream’s ’70s output, it’s fantastic that Virgin decided to finish the story by releasing the bands ’80s records on the label. This period is sometimes seen as a regroup and reform period for the band. During the 1970s, […]
Sulatron Freak Valley is always one of those festivals that I’ve wanted to attend, but have never had the opportunity to do so. If I had gone, I would have most certainly chosen one of the two years that Electric Moon played there as I would be guaranteed one trip […]
New Heavy Sounds Abyss is the second proper album from the dark witch doom duo BlackLab from Osaka in Japan, and carries on their mission to pummel any pretenders to the doom throne to death. As a duo the sound is big and live, I would imagine it would scream […]
Deutsche Grammophon The brothers Eno‘s Mixing Colours album was released at the start of the global pandemic of Covid-19, when most countries were in a state of lockdown. From reactions I read online, its soothing tones certainly helped many people through that difficult time, as it transported them to somewhere […]
All Saints Spinner is an oddity, even in Brian Eno’s vast back catalogue; the music was originally conceived as the soundtrack to Derek Jarman’s film Glitterbug, a posthumously released compilation of old super 8 film that had been gathered together as the director was dying of AIDS.