Staubgold Confusing record, that’s the synopsis. It’s got all the ingredients of a blinder — fully world-class players, uncommon mix of instruments, well recorded and mixed… but it’s lacking a certain something. That something being length. There’s arguably a problem with Jaki Liebezeit‘s pedigree — Tago Mago‘s one of my favourite records and, obviously, I’d really like to hear a version of that album with an hour-and-a-half mix […]
Holger Mertin
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