Ostravské Centrum Nové Hudby Ostrava Days, for those not in the know, is quoted as being “…a platform for making the music of our time…. No attention was paid to what the powerful cultural institutions expected or supported”. In the world of composition, there’s a constant struggle to stage “new” […]
Iannis Xenakis
5 posts
Karlrecords Of course we’re all knee deep in re-issues of unheard electroacoustic works at this point in history, but Iannis Xenakis is something special-er than merely one of the bods who had a go at electronic means to produce music. A lot of composers went through periods of giving it […]
Karlrecords Mohammad Reza – better known to the world as the (last) Shah of Iran – was not a hugely likeable man. In 1979, as a youngster struggling to make sense of the images of the unfolding revolution that were flooding in via the BBC Six O’clock News, I remember […]
Karlrecords The classic thing to say about Iannis Xenakis is that he’s fairly close to being sui generis. Oftentimes, that’s the sort of compliment that can feel fairly weak — which is to say that there’s not a musician operating that doesn’t think they’re not sui generis, but the majority of […]
Editions Mego “Concret PH” begins with glass splattering, not in a Vagina Dentata Organ way, but made to seem like static, or phrases in static – . With Xenakis, your brain often has to look the other way. I know nothing about Xenakis as such but he seems like a […]