Such is the sheer abundance of output from the music world in recent times -- which feels particularly acute this year -- it can be quite hard not to miss key things, even from reliable sources. Yet, thankfully, two distinctly dissimilar albums from the trusty homestead of Gard Du Nord Records have been extracted from the review pile just in time for Freq coverage in 2024. Both remind us that the label’s quietly radical diversity remains a compelling force running in the background of the record-releasing business.
Keiron Phelan
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