Those former Yugoslav industrials certainly hit vital back then -- trumpet fanfares, pounding drum falls, those rousing anthem repeats; even today it’s still sonically captivating, so much so I didn’t think it needed a rework, but Laibach definitely saw potential in them old bones.
Laibach
22 posts
London 8 November 2023 Last time I saw Laibach, it was here in this very theatre, and after a set comprising both the entirety of The Sound Of Music (as previously performed in North Korea) and a slew of “greatest hits”, they’d confounded everyone by having Milan Fras come on […]
GOD Laibach have been on a winning form since 2017’s Also Sprach Zarathustra, that oozing dark matter and gravelly gravitas of yore gloriously reconfigured, later thrown around on the sonically saturated Wir Sind Das Volk. Now this latest offering, Sketches Of The Red Districts, sees them returning to the conflict-ridden […]
Demiurg / London 3 March 2019 This is a story of two enigmas. One is an inscrutable totalitarian art-rock collective, and the other is the most secretive state on Earth. And this is all about what happened when the two collided to the strains of a much-loved feel-good musical with […]
Mute Laibach doing The Sound of Music. If those words hold any meaning for you, you’ve pretty much already heard this album. You’re probably already aware that this is a bunch of studio recordings inspired by a performance they did in DPRK.
London 23 November 2017 “Dunkel. Dunkel ist die Nacht“.i It is most certainly dark tonight, the evenings now well and truly drawn. The winter solstice approaches. And, as is customary for such astronomical phenomena, we are gathering together tonight to celebrate by watching the rise of the strange, intense sun […]
Mute OF COURSE THEY DID. So Laibach made an album called Also Sprach Zarathustra. Which displays the kind of self-confidence, arrogance and sheer fucking balls for which Laibach are famous.
London, 12 April 2016 Brighton, 13 April 2016 I went to two gigs in two days for Freq. They were unrelated, possibly, but worth pointing out that gigs are experiential things — it’s often more about the being there than what was played and such. That or I’m too lazy […]
London 2 April 2015 A spectre is haunting Camden, and that spectre is the spectre of Spectre, Laibach‘s most recent and sublimely poppy album. On the face of it, you’d think Laibach’s “foregrounding the totalitarianism inherent in pop music” schtick would have worn thin really fast, like a one-joke Damien […]
Narodowe Centrum Kultury Poland fared worse than most in World War 2; the fields and woods are still littered with macabre reminders of the grim extent of Nazi ideology. By August 1944, sensing the Nazis were losing their grip on Europe, thousands of poorly-armed residents of Warsaw decided enough was […]
Paris 8 March 2014 Le Trabendo lurks next to a not-quite completed concrete behemoth which squats at the side of the Périphérique ring road around Paris, part of the ever-expanding Parc de la Villette with its promenades and exhibition centres, its music and (almost) out-of-town cultural activities for a city […]
Mute Approaching this new album by Laibach – their first proper in six or seven years – seems an awesomely intimidating task. I feel like the hominid leader Moonwatcher confronted by the sudden appearance of the Monolith in the opening ‘Dawn of Man’ sequence of Stanley Kubrick’s 2001: A Space […]
Mute Originally released a couple of years back as a single CD, Laibach‘s astonishing soundtrack to the cult crowd-funded Nazis-on-the-moon fantasy Iron Sky returns as a double album (available on vinyl too, in a luxurious gatefold package), extended, remixed and altogether managing the difficult feat of being yet more epic […]
Mute Released as a taster for the forthcoming Spectre album, the S EP finds Laibach in slower, reflective mood on the opening “Eurovision,” the track unfolding with almost trip-hop intent in a fashion which harks back in tone to 1992’s Kapital. Of course they can’t help but get epic on […]
Mute With London’s Olympic opening ceremony still reverberating freshly, it’s time to consider the next logical step in the bombast and nationalistic celebration: Laibach and their art host entity NSK conducting the premier global televisual propaganda occasion should Slovenia ever host the Games. Handily, it seems that if budgets are […]
Mute If someone had the bright idea of making a low-budget, crowdsourced skiffy film about Nazis found on the dark side of the moon, which artists should be asked to provide the soundtrack? Laibach, of course – who could be better suited to orchestrate the sound of fucked-up futurist fascism, […]
The Tate Modern, London 14 April 2012 In the days following the Laibach “We Come in Peace” show at The Tate Modern it is Mina Špiler’s singing of “Across the Universe” that stays on permanent replay in my head. Such a beautiful nearly acapella lullaby she made of the ominous […]
Label: Mute Format: CD/Ltd. ed. CD + hardback book As far as I know, no-one since Stockhausen has attempted a major re-interpretation of the national anthems of the world, and anyone but Laibach would be foolish to try it. There’s little sign here of the triumphalist bombast of “The Final Countdown”, […]
Label: Mute Format: CD,2LP As purposely obscure and enigmatic as ever, Laibach‘s return to the world of record releases and live shows steps up the pressure they bring to bear upon the listener’s expectations of what this most uncompromising of groups might actually intend and ultimately mean. Presented in German, […]
Label: Mute Format: 2CD Only a few weeks ago I was bemoaning my shortage of Laibach material – just a couple of albums’ worth out of a repertoire that spans well over two decades – so I was more than a little chuffed when this new retrospective landed on my […]