On reaching its twentieth birthday, Nathaniel Cramp’s Sonic Cathedral label has arguably benefitted from a degree of nominative determinism. Whilst he has tirelessly championed the sacred tenets of shoegaze, it’s not been in a restrictive small chapel sect-like way, but in a very broad-church fashion.
Lorelle meets the Obsolete
2 posts
God Unknown This review is based on seven of the first 7″s released in the God Unknown Singles Club Volume 1, of a total of 10. What is most apparent is the variety musical output on these tracks. No specific genre is represented, rather it seems like a selection of artists […]