Michael Rodham-Heaps tackles a trio of recorded documents from London’s Café Oto released for wider consumption on the ever-expanding Otoroku label… Decoy with Joe McPhee – Spontaneous Combustion This one grabs my attention first, the gritty screen-printed abstracts go well with first half of this tasty double, recorded back in twenty eleven. It’s a fragmented fermentation, loose dot-joining limbs avoiding the unusual scuffle cuffs jazzy improv seems to […]
Michael Rodham-Heaps
494 posts
Organized Music From Thessaloniki Another tiny offering from Seth Cooke, the man behind Pneuma‘s panoramas. He certainly has a talent for pulling surprising stuff from unusual places — who’d have thought pneumatic drills could sound so exotic? This latest offering on the intriguingly-titled Organized Music From Thessaloniki label is no different, a combo of no-input holler and decaying field recordings set under the moniker of Sightseer. The track […]
Idioblast There’s a cryptic, arcane nature to the goods Theme offer up here; which strike me as Coil-like in a lot of ways — that corkscrew of dualities, those discordant magicks, the word-choked secretes, repeat ectoplasms weaving dissident truths. “Enough is Never – Parts 1,2 & 3” begins in a cornucopia of effect-driven phrase-roasting on a skeleton’s ribcage, Richard Johnson‘s withering words tangling slipping — “NEVER ENOUGH,” a […]
Northern Spy (N. America)/Ponderosa (Europe) I sort of lost touch with Arto Lindsay‘s work after Mundo Civilizado, the second album in which he swapped his usual oblique guitar trademarks for the sweet whispering of sensual nothings into your ear. A Brazilian-focused crooning wrapped in a spicy salsa of re-circuitry and upbeat topographies. Disc one of this new Lindsay compendium takes this easy on the ear perspective, twelve songs […]
Bristol 6 June 2014 Really enjoyed those colour-blind psychedelics Ramleh were plying, being partial to a bit of nihilistic zeal. All that top-heavy primary and scuzzy nail-throwing does you no end of good, run through with copious amount of feedback roughage, a storm of grainy monotonies stabbing your ears and hitting the spot. Both Anthony di Franco and Gary Mundy looked in their element and seemed . Gary’s […]
Peripheral Conserve én‘s op. 80530 needs loudness, craves it. Minimal wares that require you to be encased in its edifice, the window-shaking physicality of its dronial weathers, a humble servant to the stretching dramatics, that bare corridor eating into the shadows like some Lynchian neurosis. Feels for the majority like a key slipping a lock whilst falling down the rabbit hole, forever dangling on hooks of expectation. It’s a […]
Southern Rudimentary Peni always seemed like a ticking clock of dystopias to me, a psychotic scaffold of tri-chords and drums, pyre-building a grinding axe of vocals, ranting at the greed miestering stink that (still) ruins, contaminates. Death Church, their first proper long player, spews out a gothika of crucifixes to nail society’s ills to – world hunger, hypocritical religion, the two-faced cancer of celebrity, vivisection and more. The […]
Constellation A collaboration between David Bryant (of Godspeed You! Black Emperor and Set Fire To Flames) and Kevin Doria from Growing, this is an exquisite 10-track drone tone, a weathered and majestic beauty with a slow burn of salted guitar whirring through the ruins. Shortwave Nights‘ woeful currents are superb, reflective, wrapped in the legioned wheeze of the dilapidated, as if written in the dust of some abandoned factory […]
Zoharum I’m not familiar with Machinefabriek‘s work, but on the strength of this release I think a little extra digging into the man’s back catalogue is required. Dubbeltjes (Dutch for dimes) is a collection of small wonders culled from 7″ and mini CDr rarities recorded and released by Rutger Zuydervelt between 2008 and 2013, the tracks being re-presented here in pairs and trios, reflecting how they originally appeared. […]
Slowfoot One Did has a Max Wall kind of rhythmic comedy about it, as if the instruments have taken a ministry of silly walks pill, a ganglia of legs skipping the hoots and jaggerations. You wouldn’t be surprised to know that former Stump bassist Kev Hopper is behind this gem. After having his fill of abstract, atmospheric electronica he’s back with a vengeance as Prescott, joined by former […]
Bureau B Walter Dahn (of Die Hornissen) and Tom Dokoupil (of The Wirtschaftswunder) met up for a single weekend back in ’81 and this 36 minute album was the kinetic fruit it bore. It’s a forgotten classic if you relish your post-punk Germanics as much as I do, and being quietly obsessed by anything Wirtschaftswunder related…well… resistance was futile. It sounds retro, but in a good way, a […]
Peripheral Conserve Absolutely loving this musique concrète mixer: its powertooled psych-o-delia of mis-shapes pleases me no end, quivers a satisfying kraut dot’n’dashes too. The overall sprawl is akin to a modern rework of The Faust Tapes, and well, I wouldn’t expect anything less, as The Wasp Boutique is one part Jean-Hervé Péron after all. This is rousing fare for sure, thrown into the light by Peter Strickland of […]
Phantom Code Sulphur – Tarot – Garden I was lucky to catch the premier of this back in August 2012. The band captured the eerie grace and peculiar atmosphere of Derek Jarman‘s super 8s so completely, I was falling over myself to grab one of these CDr documents they were merch(ing) at the time. A nicely packaged item that have enjoyed listening to ever since. Now in the […]
Earbook Alan Courtis (of Reynols fame) and Aaron Moore (of Volcano the Bear) are at it again… colluding; colliding… hot on the heels of Brokebox Juke and a live document comes this new collaboration, a two track, 42 minute journey of differing tastes/textures and expanding ripples between the album’s epicentres of Buenos Aires and Brooklyn. “King Pancreas” starts in mournful blowholes riding cymbal sheens, leaking dischords thrown unexpectedly […]
Lava Thief This is an extraordinary piece of work, a wordless communion in caustic colours and sterling guitar playing. Its diverting textures are best appreciated through headphones, where they funnel-web your consciousness, cut through your head, jet between the ears in sweet diffusion; adventures you can taste, savour. Both participants are highly accomplished in their own right: Bill Horist seems to have collaborated with a whole host of […]
The Island, Bristol 21 February 2014 Second time round, The Island seemed less foreboding, with its seats, circular bar and rather cosy with a choice of off-kilter ambience leaking through the speakers from Bizaare Rituals. H, AKA Heloise of the excellent ZamZam label, kicked off the proceedings in contacted cymbal loop-caught metal overlaid in temples of spinning pennies, cross-stitched, pollinated in drifting drones, cross-cut with mythological teeth and […]
London 8 February 2014 Macgillivary started proceedings with some rather spooky vocals, multiple choirs caught in the looper’s long corridors, trapped trajectories, cloister curving, quickly followed by a souped-up electric zither accompaniment, as her sorrowful voice continued to work its magic through the vastness of the chapel. She pulled out some nice feedback too, and those ‘white horse’ piano tides were superb, reminded me so much of Galás‘ […]
Bam Balam Acid Mothers Temple supremo Kawabata Makoto, arch dude of the stratospheric guitar, harbours his more reflective side on most of these discs for French label Bam Balam, transmissions from the mellower drone-loving universe that we occasional glimpse between projects. Kawabata Makoto – We’re one-sided lovers each other First up, We’re one-sided lovers each other captures Makoto at his LaMonte Young best. A two-tracker, with the title […]