Bureau B Serious fun to be had here, sock puppets and all. Der Plan’s slick cabaret of strangeness is all over the place, eerie cinematics jutting up against cheesy trips to the German equivalent of Blackpool amusements. Take an eyeful of that gaudy cover for Die Letzte Rache and you instantly know boredom is gonna be in short supply – that plasticined comicbook aesthetic, the singing eels. Yep, […]
Michael Rodham-Heaps
Dirter Promotions This oozes intelligence, and to be honest, there’s always been plenty behind everything Ralf Wehowsky (RLW) puts his hand to, even if it’s often accompanied with lots of head scratching for his listeners. Whether you think he’s poking the fun or stroking its beard with satisfied rigour, he’s there, being significant, a seeker, never fully satisfied, fraying that strait jacket of Western music with an alternative […]
Rocket Girl I’m loving the sustained landscaping on this, those puckerings of melodious highlights and zithery arpeggios seemingly shivering out of a slowly clearing mist. That highly composed filmic vibe that transcends time, as if caught in the yearning crystallisation of the moment. A perpetual dawn with contemplative glints of sensation magnified on accents of piano, cello and some rather unusual if subtle processing. Born completely from a […]
Red Wharf Only listened to this twice so far, but I must say its miles more entertaining than the previous Graham Bowers collaboration Rupture. Gone are the studious symphonics, favourably replaced by liberating wonky oompha chip-chop that scatters the wares more psychsomatically without labouring any fixed point.. “Off to Hell on a Handcart” (seriously loving these track titles) is stereophonically awry, a slippery mess of Michael Jackson moonwalk […]
London 19 May 2013 Stuck in traffic, time was slipping away from us like a buttery thing, a total nightmare as impatient idiots decided to forge an extra lane in front, and I’m behind this person in a huge sports car that was probably twice the price of my house! He’s busy checking the mirrors – for gazes of envy, no doubt – I feel like making silly […]
Rustblade Disc one of Kibako, and “Nigatsu Nijuugonichi”‘s abrasive banquet of blow torch and bruised industry is definitely a room clearer. Lurching around in shifts of attacking energies, fearsome, intense – full of percussive dynamite snipping at squalling hordes. It’s a weird kind of rapture, overwhelming the senses with spiky shards, enforced further by the screaming inferno of the following track “Operation Musashi.” Those clashing hertzological blizzards taking […]
Rustblade As Legendary Pink Dot chemistry lessons go, this latest instalment to the series burns with a slow slip of reality, the simplest backbone of rhythm caught in the tattered net curtains of Edward Ka-Spel’s mind. Absorbing word weaves hooking you in as the trancelike vibes dribble the vowel fall, reflecting everything back panoramically from inside an idea’s skeletal sheen. Love “Immaculate Conception”‘s agoraphobic airs: the slippery backing […]
Invada Loving that crayon lava of the cover, sleek minimal, that infra red chalkiness dwarfed by a sea of matt black, a darkness from which the title track “Landing” seems to howl. An epic opener, that grinding millstone riff all Bolan-esque beef, . An incredibly powerful vibe, made more so by the purposeful drop into a reflective quietness which effectively notches up the tension for the raw-throated re-entry […]
LF This was conceived after a particularly arduous eighteen months whilst a basement flat beneath Seth Cooke‘s Leeds home was being renovated. Building noise, pneumatic drills, shouting, workmen urinating in the garden… you name it, and it was probably suffered. The sheer beauty etched into the metallics of this disc seem testament to how scarring this experience must have been. In fact Seth describes this work as alchemy, […]
The Lamb, Devizes 8 February 2013 Gentleman’s Relish are a wicked combo, a spiky pop duo of tight guitar evolves, countered by neat percussive candy. Those quirky poetics of lyric, comically charged and made further so by the drummer’s Bill Bailey mannerisms. A lot of sweet action indeed: that switch-a-roo guitar slashing in an angelic upstart-esque insistence as the syllables broke across your head in a bank of […]
3 February 2013 The Exchange, Bristol Giant Swan were first up, a duo plying a lush clamour of harsh ear schisms that materialised into gristlised rhythms, a lot of box teased goodness to soak up. These boys certainly knew a thing or two about the art of bending circuitry. Loops and pick-up burrs literally ear danced in textural plugholes of echoed vox, resurrected in scars and sycamore incisions […]
Cold Spring Tanith and the Lion Tree revels in that rich and sumptuous world Edward Ka-Spel has carved for himself, one where the surreal becomes vivid, a vibrant play of words that like Kenneth Anger’s pleasure dome inaugurations, slowly unfold, ensnaring you in simmerings of dark fascinations. Tastes that jump from macabre to tender heart felts, from spite to cheerful jaunts of observation. Nuggets that refuse to give […]
Rocketgirl “Bound for Magic Mountain” is a whopping start. A neonised cascade choked full of bouncy goo and bleeping keylines breezes through your head like a mechanised kiss. The guitar kingpins transmitting a massive joy in kegs of wah-wah and laser, everything tilting to the max, smothered in copious effect shadowing. This has the cool scent of somebody totally enjoying what he does, mingling the past with present. […]
Monotype I’ve been struck by this band’s mysterious flavours since hearing them on numerous compilation LPs from the early ’80s, and then much later, on the Tionchor CD back in ’98 which gathered them all up in one (very odd) listening experience. ‘Nouvelle Concrète’ that was, and continues to be, inspired.. inspiring, with this collected umbrella of Passagen as a pathogen no doubt infecting a whole new generation […]
Dissolving As synthesized sci-fi goes, this does a really good job, drawing its inspiration from a Philip José Farmer novel of the same name. That Seventies Panther pulp cover of scarred red and Space 1999 data font of the inlay warming you to this homage to those late ’60s/early ’70s explorations into the electronic unknown. A distinct doff of the cap to Tangerine Dream‘s pioneering vision, this is […]
Bureau B I first came across this album in a particularly smelly charity shop in the middlings of the ’90s. Sandwiched between some mouldering ’70s fodder, the massive sans serif Palais Schaumburg red of the slightly worse for wear cover, screaming out 2buy me now, or you’re gonna regret it!” I didn’t know anything about them at the time, my expectations were for some noisy, at the best […]
Dirter Really glad to get a proper chance to listen to this again – disc rot, the scourge of so many early World Serpent gems (the un-initiated should see here) and barmy auction prices have totally scuppered my chances to get re-acquainted with its Frankensteined charms until now. Dirter, those bastions of the unusual, have done a sterling job of dragging A Sucked Orange back into the light […]
Exotic Pylon Absolutely love the cover for this! A grinning turnip head with nasty teeth, pipe and wire glasses. A comedy shaman vibe which fits well with the jovial surrealism enclosed. Sharing a similarly damaged vibe to fellow Nordic maverick Goodiepal, the first track “Animal accompaniment is a cage they can fly out”‘ (well that’s what Google is telling me) is like some fairground attraction filled with weird […]