Happy Robots The oval oddness of Anaphora’s opener “Pilomotor Reflex” are ace, reversed shivers cerebrally nibbling slowly, beaconing out on a delightful Kraftwerkian romance (minus that detached chill). A dance of chameleon-like shapes that fluidly viper that dry percussive, an agitated softness for that anti-capitalist narrative to dagger deep, tangle […]