Rednetic This latest release by FMS-80 on the ever-intriguing Rednetic label spins through series of dizzying, pastoral soundscapes bobbing on a sea of loops that scatter like sunlight on turbulent waves. A riot of bells on opener “Beidaihe Loop” holds incredible vibrancy, the mantra-like simplicity of the rippling loops moving through “Esplanade View” like a static vista of a fresh day, that panorama across a sunlit harbour in […]
Mr Olivetti
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Shaytoon Following on from last year’s Maramar cassette, Aria Rostami returns with a further exploration of devious beat-driven electronica. This time around, Bolbol is a seven-track EP featuring mixes of the title track from Sote and Sepehr which ally curls of electronica and mysterious keyboard refrains with the kind of beats that sit as well on the dancefloor as on the sofa, and while the misty voices of […]
Trace It is always a pleasure to learn of new Rothko material and this return is even more welcome considering it has been over two years since the Refuge For Abandoned Souls album. This first post-lockdown release thankfully contains none of the confusion and despair that has dogged some performers in this liminal period and it feels, as ever, as if Mark Beazley is operating outside the usual […]
Upset The Rhythm Japan’s Nicfit have been together since 2009, but this is their first full-length release besides a cassette comp of obscure singles. Upset The Rhythm have picked it up and it suits their oeuvre well with its cool, distant female vocals, post-punk, bass-heavy vibe and scrawling hypnotic guitar work. Whether they have taken their name from The Untouchables‘ one-minute punk flamethrower or from the better-known Sonic […]
Spoonhunt Freewheeling improviser and collaborative double bass player Dominic Lash has an incredibly varied approach, not just to his instrument but to the way he structures the numerous outfits in which he plays. Recent releases on his own Spoonhunt label give a little indication as to his multifarious activities, and clearly to the warmth and keenness he engenders in his fellow players.
Discus This is only James Mainwaring‘s second album under his own name which, considering the number of collaborations he has been part of, is kind of a surprise. To realise this suite of pieces that look with a despairing eye to humanity’s misuse of the planet as well as the myriad of microscopic miracles that are constantly occurring beneath our feet, he has assembled a sympathetic sextet that […]
Thrill Jockey Unfamiliar Minds is Elena Setién‘s second album for Thrill Jockey and comes on the heels of a previous collaboration with Xabier Erkizia, which came out on Forbidden Colours. Xabier is also integral to this album, but it is Elena’s dreamlike and gossamer visions upon which the we are whisked away to the enchanted realm of her imagination.
(self-released) The buzzing Bristol duo of vibraphonist Harriet Riley and fiddler supreme Alex Garden tumble their inspired collaboration into its second Sonder volume, taking bassist Stevie Toddler along for the journey and pushing one another a little further into where their two musical palettes collide. The previous album‘s sunny disposition has been replaced by some tones of a darker hue, and the pace is lessened at times to allow […]
Thrill Jockey Listening to In Free Fall, Maya Shenfeld‘s album of slow-moving and stately processions, it feels a little like visiting a gallery full of huge, abstract artwork or watching somebody gently unfurl a series of enormous flags. Everything unfolds at a pace that gives opportunity to be totally immersed in the evolution of each piece.
Discus The latest eclectic release from Bo Meson finds him teaming up with other Discus luminaries to re-imagine the life and possible success of Dylan Thomas through words and soundscapes, using the opportunity to shine a light on what might have been in an alternate universe.
Rednetic Regular Rednetic recording artist Zainetica is back with another album-length dose of his progressive synth-based hymns to modernity; the subtle, scuffling beats and the warm sense of movement evincing a sweetness and sleekness that leaves contemporaries trailing in his sky blue wake. There is the feeling of a whole new language, a revision of electronic beat-driven music with the dust and grime of our current existence swept […]
Empty Birdcage Regular improv collaborators Daniel Thompson and Colin Webster have released this live set from September 2020 to give the uninitiated a glimpse of their playing relationship and the way that differing viewpoints lead to surprising interactions, veering from placid waves to more frustrated and awkward splashes.
(self-released) This Comet Of Any Substance release, Full of Seeds, Bursting With Its Own Corrections — which can perhaps be described as an EP due to its short running time — has the greatest air of mystery about it. There is something disorientating about the woozy instrumentation that flickers and drones, worn out from intergalactic travels. You can see them rushing past, but we are static, waving from […]
Discus For French singer Carla Diratz‘s latest album, she has enlisted two of the Discus family to conjure some surprisingly diverse soundscapes for her smoky, timeworn vocalising. Both Martin Archer and Nick Robinson are hardy veterans, capable of providing the perfect backdrops and these veer from the gentlest of piano laments to forceful, driven, post-prog whirlwinds. In fact, the opening two tracks show the full range of their […]
Constellation When the first Light Conductor album was released, I remember considering that it would be a suitable one-off experiment and that an attempt by Jace Lasek and Stephen Ramsay to follow it might be folly; but I am really pleased to say on the strength of Sequence Two, it was a wise decision as there is much more ground for them to cover. This time, spread over […]
Constellation As with many artists, the genesis of Jessica Moss‘s fourth album occurred during lockdown and it acted as a means of working her way through the enforced isolation. Judging by her previous offerings, the sense of remove and the overwhelming melancholy is something to which her violin sound is suited; but on Phosphenes, it is as if the bar were raised and the immersive sensations of solitude […]
Geophonic The packaging for the latest Aperus release is a thing of beauty, containing a number of glorious weather photographs selected at random from Brian McWilliam‘s well-curated archive. Thankfully, the sounds contained within live up to this lush presentation, channelling the spirit of Covid as well as the New Mexico mountain fires which were delivering smoke to Brian’s back door. As you can imagine, these disturbing events have […]
One Little Independent Not only did Poppy Ackroyd have to contend with Covid around the writing of her fourth album, but the birth of her first child also coincided with the process. As you can perhaps imagine, on the strength of that, the album runs through a full range of emotions from thrill and ebullience to concern and introspection. Although the album is solely piano based, using the […]