Discus Serial collaborators Tony Oxley and Cecil Taylor had this 2002 show recorded, and Discus have released it as a showcase for the kind of joyful power of which the duo was capable of. That it is the overriding sensation that comes from Being Astral And All Registers: joy; at times an utterly maniacal joy but joy nevertheless.
Mr Olivetti
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Hummus Swiss fourpiece Convulsif certainly understand the power of tension. On Extinct, their third album, the opener “Buried Between One” had me checking the CD player to make sure it was s till working, such was the space between the resonant bass notes. When you leave it to play and you are being lulled, all of a sudden the bass clarinet kicks in like a swarm in your […]
Trace Eternally keeping his unique flame alive and forever pushing the sound somewhere fresh, Rothko‘s Mark Beazley is an irregular collaborator, but always uses the opportunity to discover something unexpected. This is his first since 2016’s full length A Young Fist Curled Round A Cinder For A Wager, and here the harsh real life tales of Johny Brown are replaced by the more heartbroken vocal sound of Second Hand […]
Courier Sound Courier Sound main-man Stuart Bowditch has chosen to wade into the “how far can we push twenty-three tracks in twenty-three minutes?” debate with his own retort to Alien and Eumig. Trading as USRNM, Stuart’s twenty-three minutes are wildly diverse and also stray furthest from the format of twenty-three one minute pieces.
Kranky This is a welcome repress for loscil‘s 2011 album coast/range/arc//. Inspired by the geography of the Cascadian Mountains, it was originally released on the aptly named Glacial Pace and was very much at home there, but the sort of slow motion grandeur in which the album revels definitely fits in with the Kranky aesthetic. The dramatic artwork showing ice capped mountain ranges and vast lakes is very […]
Discus The Orchestra Of The Upper Atmosphere‘s fifth outing finds it expanded to an eight-piece and the bulk of the new album’s material being improvised over two days at the end of 2019. Those initial sessions and the subsequent solitary fettling and studio production over 2020 have resulted in an extraordinary odyssey of sound that encompasses structureless, textural drift and gliding, plus all points in between.
Courier Sound The insert that comes with the latest beautifully presented cassette from Courier Sound (both the cassette and outer cover are plum coloured) describes the sounds contained therein as “trying to capture and reimagine the healing process through repetition and sonic imperfection”. The manner in which this is attempted is to unfold a series of slowly revolving drone-based soundscapes that seem to hover out of the speakers, undulating […]
Hubro Back in 2006, improv trio Huntsville were plying their trade at a Quebec music festival where they came across Wilco and over a period of time developed a mutual appreciation society. After appearing with them on stage a couple of times over they years, 2010 found the three travellers in the Wilco’s Chicago loft with Glenn Kotche and Nels Cline to see what might come of a […]
Interchill The latest release from esoteric multi instrumentalists Evan Fraser and Vir McCoy takes the listener on a series of journeys through distant lands, the likes of which we are unlikely to experience ion the usual melee of music making. Playing such extraordinary instruments as the jimbush, the sintir, the djeli-ngoni and the guimbri, amongst others, the images that they evoke are of dusty, unspoiled vistas and spiritual […]
(self-released) The vibes as an instrument is unique in my opinion in its ability to lift a mood and for its pure, haunting ring to linger in the mind. We were lucky enough to catch Harriet Riley when she was playing with the wonderful Bristol band Tezeta. The vibes added a fresh and shimmering aura to the band’s heady stew of latin groove and jazz skronk. Here, she […]
Thrill Jockey There are a lot of solo piano artists around at the moment and a few of them have been covered in the reviews section on this fine website; but where things begin to turn interesting is in the realms of the improv piano player, where the rules are suspended temporarily and the playing is dictated by emotion and impression. Here we have two very different takes […]
Gench Thomas Dimuzio‘s presence in the alternative noise underground over the past thirty years or so is something that is hard to overlook. The ranks of artists with whom he has collaborated and the slew of labels on which his work has appeared are almost endless. The latest two releases from Thomas attempt to give a taster of just how varied and far-reaching his body of work is […]
Lulu’s Sonic Disc Club (Australasia and Asia) / Upset The Rhythm (Europe and Americas) A love of hazy voices, alliteration and simple melodies infuses the spirit of Sleeper And Snake‘s Fresco Shed. As members of Terry and alumni of the Australian underground, you might be forgiven for thinking you know what is coming.
Kranky I think Ana Roxanne has really found their home on Kranky. This second album, expanding on last year’s ~~~, plays with the kind of delicate atmospheres and mysterious textures that are the label’s stock in trade. Ana choses a kind of gossamer fluidity and heavenly vocalising that washes over the listener like a dream, but it is a dream that requires thought and input from us. The […]
Discus It is impressive what Hervé Perez has managed to accomplish on this latest album. With great assistance from Alex Hegyesi, they play an astonishing number of instruments, some of which (psaltery, kokiroko, caval) I have no idea what they are. What they have managed though is to totally encapsulate the idea of a Garden Of Secrets by producing a series of themes that are accessible yet mysterious, […]
Geo Graham Dowdall has been operating under the Gagarin moniker for twenty-five years now and yet each release manages to bring something fresh to the electronica table. The Great North Wood has an impressive if slightly disturbing photograph of a forest on the cover; the sort of forest in which it would be easy to lose yourself, and that sense of the familiar as unknown encapsulates some of […]
Upset The Rhythm The opener from the latest Green Child album Shimmering Basset moves like a dream; the drunken, weaving synths and Raven Mahon‘s light, airy vocals are captivating. It is all synthy heaven and stuns of spectral guitar, as if the duo caught sight of an ’80s synth band through a fun house mirror and added some post-modern vibe to it.
Architects of Harmonic Rooms & Records Although Steffen Junghans has appended Basho to his last name out of a sign of respect for the legendary guitarist, it does not in any way detract from the unique direction of his own work. His latest album, the first in quite some time, is a delightful foray into the kind of impressionist guitar landscapes that his work is always hinting at, […]