Upset The Rhythm The ceaseless band-hopping of the two Rachels has seen a five-year gap since the last Trash Kit album, and also the departure of Ros Murray and arrival of Gill Partington on bass. Bas Jan, Bamboo, Shopping and Sacred Paws have kept them plenty busy, but thankfully they have reunited for their third album for Upset The Rhythm, and what a treat it is.
Mr Olivetti
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Castle Face I had a real soft spot for the slightly psychotic electro-punk disco dust-up of Six Finger Satellite and was sorry when they called it a day both times, so it is good to hear that Rick Pelletier is back on the scene with Dare Matheson and Jon Loper, both of whom helped out with the band the second time around.
Crammed Discs Band Apart were a short-lived US/French duo that blossomed at a time that put them in the eye of the New York No-Wave storm. Vocalist Jayne Bliss was a poet who had been performing with various members of the US avant-garde such as Bill Laswell and Don Cherry. On being introduced to Marseille-based musician M Mader, they judiciously decided to set off on their own sonic adventures […]
Hubro The title and track names for Exoterm‘s first album read like stage directions or parts of a screenplay, and the atmospheres that they produce over the course of the six tracks on Exits Into A Corridor are dark and foreboding but suffused with a giddy mania.
Courier The latest beautifully packaged release from the ever-reliable yet increasingly diverse micro label Courier is the four-track EP Silences‘ from south-east England-based duo of the same name, James Green and Nick Dawson. Intended as the first in an ongoing series, the recording took place on one day in Southend and the end result takes you far away from any obvious points of familiarity.
6 July 2019 Bristol This year, the Stolen Body-curated Astral Festival has chosen to spread itself over three of Bristol’s city centre venues. Thankfully, the Rough Trade sweatbox, the rather charming restaurant/bar at the Lanes and the grandiose SWX are all within a stone’s throw of one another. Unfortunately, the timing of things does mean that it is impossible to take in all bands, and considering it is […]
Constellation What on earth could Lungbutter be? It sounds most unappealing. It kind of sounds oozy and uncomfortable, and I am not sure that describes this Montreal trio all that well — but on the other hand, there are elements that are oozy and some of Ky Brooks‘ rambling doesn’t sit comfortably in the musical uproar that Joni Sadler and Kaity Zozula produce. It is a unique sound
Bureau B Martin Rev‘s renown in the history of electronic music from the early ’70s onwards is generally as one half of avant-doo-wop street synth rebels Suicide, but as well as constructing the beats and sounds for the duo, Martin also had a sporadic solo career, the second and third albums of which Bureau B are giving a well-earned re-issue.
Discus Martin Archer‘s Discus label continues its sonic adventures with the latest release from Belgian bassist Guy Segers’s improv project the Eclectic Maybe Band. An improbable bevy of some of the finest improv musicians, the project finds group-constructed freeform pieces sitting side by side with Guy’s speciality, which is taking improv recordings from different sessions and then stitching them together in the studio over a bass-line written especially […]
Constellation For Siskiyou‘s fourth album for Constellation, they appear to have returned to their roots with that lo-fi home-recorded sound that echoes the kind of direction in which Mark Linkous originally headed. On Not Somewhere, Colin Huebert has taken on the majority of instruments and constructed frayed but hopeful vignettes
Rune Grammofon For Fire! Orchestra‘s fourth album for Rune Grammofon, the core group has once again reduced the numbers, this time to a far more manageable fourteen. The introduction of a string quartet (three violins and one cello) still has reed players outnumbering strings, but it doesn’t make for a top-heavy sound at all.
Motto Motto Incredibly, the band Now have been plying their charming trade for the last twenty years or so, and yet every release sounds so fresh and imbued with the joy of a band that have just started playing together.
Bronson Martin Bisi‘s famed BC Studios in Brooklyn is renowned for bringing the noise to New York, and in celebration of it reaching the grand old age of thirty-five, they decided to throw a party in January of 2016, invite a load of old friends and record the ensuing fun for release. A first volume was released back in 2018 and now the response has demanded a second […]
Thrill Jockey Once again, Thrill Jockey play host to the Appalachian folk-influenced duo House and Land, and here they take seven songs of various origins and imbue them with a sense of their own characters. The songs, being the age that they are, are far from feminist tracts and it feels as though Sarah Louise and Sally Anne Morgan wish to reclaim them, to try to infuse them […]
Thrill Jockey The classic idea of the sort of band that one might expect to find on Thrill Jockey seems to be blown apart with every new release. Iowa City’s Aseethe are a great case in point with their second album for the label upping the heavy ante to monolithic proportions.
Rock Action As far as I am concerned, Luke Sutherland has been away from producing his own music for too long now. After helping to create the blood-rush post-rock of Long Fin Killie to the dreamy trip-hop of Bows and the pan-European Music AM, he wrote some delightful novels and then disappeared into the welcoming bosom of Mogwai. Until now…
Va Fongool In her bid to subvert the sound of the trumpet and meld it into something that is purely her own, Hilde Marie Holsen has teamed up with synthesizer artist Magnus Bugge as Bilayer to generate an album’s worth of esoteric and other worldly soundscapes. If you are lucky, you may recognise the sound of her primary instrument here and there, but often it is disguised
Spècula A serial collaborator, Teho Teardo has been releasing music for the last thirty years, both as a member of various bands and also as a solo soundtrack composer. Max Porter‘s Grief Is The Thing With Feathers, a book that has been adapted for the stage, directed by Enda Walsh, is a tale of sorrow and loss and for this album, Teho has reached deep inside himself to […]