The basic premise behind this album is the use of Jo David Meyer Lysne's self-designed e-bows on guitar strings to produce naturally occurring random harmonics.
As the e-bows have adjustable speeds, so the results are infinite due to other overtones created by the different resonances. There is an element of patience demanded of the player, but the end result is an absolute ever-evolving delight and when allied to Peder Simonsen's microtonal tuba, modular synth and pyrex bowls, the range of tones is pretty impressive.