The thing with Greyfade releases is that they seem to oscillate around a few ideas -- small gestures (and I'd argue not minimalism), a clarity of sound, sparse but not abject tonal palettes. Typically the releases are fully composed -- this doesn't necessarily mean 'written out on the stave', but it does mean that the piece is liable to be the same next time you hear it performed.
Phillip Golub
2 posts
Greyfade Few labels have such a defined remit as Greyfade, who for the last few years have released a steady stream of thoughtful academic works concerned with precision, process and sonic nuance. Following the heady splendour of last year’s Rag’sma by Christopher Otto and JACK Quartet, as well as label-boss […]