Alamuse Thirty-six minutes to ascend. Thirty-six minutes to grasp the interior of a piano and strum, stroke and pluck softly until it hums. Thirty-six minutes to clatter and hiss between strings and keys and electronic devices, to shuttle like a poltergeist rising mordant among ectoplasmic shudders. Reinhold Friedl‘s prepared piano and Franck Vigroux‘s analogue synthesizers, tape recorders and other machinery collide on Tobel with the force of , […]
Reinhold Friedl
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