ÉlianeRadigue started her career way back in the 1950s, studying as part of the Groupe de Recherche de Musique Concrète (GRMC) in Paris, helmed by those frolicsome twin Pierres, Schaeffer and Henry, from whom she received a firm grounding in electroacoustic music and musique concrète. Gradually, however, Radigue’s interest in electronic music began to take her away from this orbit, and off onto a trajectory of her own, one which she has been following now for some five or six decades.