...tonight they're playing at the Troxy off the back of their latest criticially-acclaimed release The Beggar. Well, technically off the back of their last two albums, a whole shitload of dates for Leaving Meaning having been cancelled during Covid. Which was something of a double-edged sword for Swans fans, as being unable to tour for one album meant Gira found himself writing material for another one.
Swans
20 posts
The intermittent strums of the first scarred in Gira’s vice-like vocal, a phonically physical experience that always feels like he’s at the coalface of emotion, mining some immaculate truth. The buttressing splashes of instrumentation between each sentence cut back to just words, then strung out on a symphonic hypnotic, shimmering into bleeding lines sung over in chorusing volatility.
Young God / Mute “New Mind” was the soundtrack to a teenage holiday in Cornwall with a couple of mates. It was that kind of holiday: evil cows, bad beer, psychotic karaoke singers (the best-worst version of “Bohemian Rhapsody”), amyl nitrate dreams. One of the people on the trip also writes for […]
Young God / Mute Michael Gira has never shied away from the bareness of the bulb’s inspection – his narrative always gnaws at the fragmented prism of the self, right from the sweaty simplicity of their beginnings to the sophisticated diatribes of the later years, even including the physical force […]
Bristol 26 May 2017 The stage may have dwarfed her stature, but Little Annie‘s cabaret queen antics were larger than life, completely over-spilling the place. Cloaked in Eastern silk, her waist a blaze of African bracelets, Annie’s hoarse vocal was something to be treasured – both warm and vibrant, bursting […]
Young God (Americas) / Mute (Europe) With the latest phase of Michael Gira‘s Swans project drawing to a close, the bundled and remastered edition of The Great Annihilator and Gira’s solo album Drainland could hardly have come at a better time for new converts who are interested in learning about the […]
Nîmes 2 November 2016 Utilising a 12-string guitar, an array of keyboards and driving, cursive songs belted out like both Dead Can Dance and This Mortal Coil gone epically, darkly coldwave, Anna von Hausswolff and her band combine big, beating drums with a desert swing and a huge bass swell charged with […]
London 14 October 2016 Swans are a strange, beautiful and terrifying beast, a bit like that white royal waterfowl whose name escapes me but can break your arm with one beat of its mighty wing; but with shorter necks. And tonight sees the second of their London performances on the […]
Young God (North America) / Mute (Rest of the world) The Glowing Man marks the culmination of what frontman Michael Gira calls “the current phase” of Swans, and is the fourth album by the current twenty-first century line-up which has been delivering uncompromising beauty and brutality since 2010’s My Father […]
Young God (North America) / Mute (Rest of the world) Disc 1 — White Light From The Mouth Of Infinity After a disastrous flirtation with a major label on The Burning World, White Light From The Mouth of Infinity was a self-financed regaining of confidence for Michael Gira. The acoustic spirit of […]
London 21 May 2015 – The Conscious Pause – It is daunting to write about a show that was attended by so many Freq contributors because I know they’ll all read this and I am sure they will all have things to add (or deny). But what does that matter? […]
Bristol 20 May 2015 Sadly, I only caught the end of Okkyung Lee’s set — a real pity as that scraping reverberation of cello was curving some lovely tonal mirages. It wasn’t long before the Swans gradually graced the stage (sometime around 8.37pm). First Thor Harris, who brewed a lovely […]
Young God/Mute Combined into a CD trilogy with Body To Body and a disc combining E.P.#1 with a dusted-off set of live recordings, the fearsome brute that is the first Swans album Filth emerges once again in a deluxe edition (and by itself on remastered vinyl via Young God) to […]
Brixton Electric London 27 May 2014 Since reforming – or, perhaps more accurately, reincarnating – in 2010, Swans have rapidly become one of the most extraordinary musical entities of our age. Their comeback album, My Father Will Guide Me Up A Rope To The Sky, was a fine release, and […]
Young God (North America)/ Mute (Rest of the world) I always thought there was some kind of law, like a law of physics rather than one drafted for use in courtooms, like the Universal Speed Limit or something, that stated that it was physically impossible for a band to come back […]
Dublin 15 August 2013 There is a story. “It’s all made of stories, you know”. There is a story that back in 1980 David Byrne (of Talking Heads fame) read an article in the music press about a band from England who were rewriting all the rules, who had discovered […]
Lyon 27 March 2013 The advantage of seeing Swans play at a relatively small venue like l’Epicerie Moderne over, say, one of the larger auditoriums in a bigger city (or one with a more active fanbase) like Paris or New York is that the experience is a little more intimate […]
Koko, London 15 November 2012 Following their new album, The Seer, Swans first live performance in London for two years was genuinely eagerly awaited. The second album from the ‘reactivated’ Swans had shown that despite, or indeed because of, the long break they were still capable of producing innovative music […]
Young God When Michael Gira announced that he was reactivating Swans (not a reunion, remember?) it came as a bit of a surprise; albeit one that garnered some excitement. The album that followed showed that the band had fleshed out the folk trappings of Gira’s Angels of Light project; instilling […]
Young God Swans are back, and it’s an event so massive, so inconceivably vast and unimaginable, that the very fact of its occurrence drowns out even the loudest of their tracks. Michael Gira, of course, has never been away, continuously pumping out increasingly diverse and intimate music under the name […]