Tortoise

Thrill Jockey After the, quite frankly, cheesy and banal efforts from Tortoise on their previous album It’s All Around You, it was understandable if one found themselves without their hopes raised for Beacons Of Ancestorship, released in 2009. However, it comes as a relief to report that this is a vast improvement on the album beforehand; and is also a work that sees the band branching out into […]

Thrill Jockey Tortoise’s fifth album, It’s All Around You from 2004, tells the listener from the outset that they are in for no surprises whatsoever. On previous albums; and especially with the proceeding Standards, . Unfortunately with It’s All Around You they made it absolutely clear that they chose the most tedious and uninspiring one. The album cover is a dead giveaway as well, recalling the awful Athena […]

Thrill Jockey  The way Tortoise opens Standards, their fourth album, suggest that they want to have some fun with the listener’s possible preconceptions. The buzz and hum of a guitar amp makes way for a bombastic passage of music wholly unlike what Tortoise are known for. It could be that they’re poking fun at their own reputation for subdued, restrained compositions. Or indeed it could be a wider swipe […]

Thrill Jockey When TNT came out, some of the band members mentioned whilst interviewed that using Pro Tools had given them too many options, and that they had feared at one point that the album would lack direction. Lacking direction would be a harsh criticism for TNT, however it could definitely be said that it’s a sprawling album, and can become aimless and like something akin to sonic […]

Thrill Jockey By the time the second Tortoise album appeared on the scene, there seemed to be an inordinate amount of time dedicated to the discussion as to whether they were in the spirit of Prog, or Krautrock. This debate seems a little perplexing now, especially when one remembers that Tortoise started operations in the early to mid 90s. However, it’s important to remember that the year Millions Now […]

Thrill Jockey The arrival of Tortoise brought along a discussion surrounding the widespread use of a new genre term that described a supposedly emerging musical genre. The term was ‘post-rock’ and, at the time, seemed to be the focus for as much debate as the band were themselves. Supposedly coined by music journalist Simon Reynolds, the term appeared to be much maligned at the time. Deemed as po-faced, as […]