Yasujirō Ozu

Ozu stands apart. There are few film-makers who command such unanimous acclaim, detractors few and far between, critics as one enraptured by his singular style of delicate, melancholy social satires. This acclaim largely sits upon his post-war films until his death in the early sixties, but his early films remain in need of being seen by a larger audience. It’s a task the BFI has set about with its ongoing blu-ray releases of early Ozu works, and they have chosen two more corkers to focus on this time around.